Life and work
Alan Silvestri is an American composer, conductor, orchestrator and music producer. Born: 26 March 1950. Citizenship recorded in the biographical source: United States.
Alan Silvestri is an American composer, conductor, orchestrator and music producer. Born on 26 March 1950, this profile follows Alan Silvestri through existing screen stories and their real settings. The connected credits include Back to the Future (1985), Who Framed Roger Rabbit (1988), Predator 2 (1990) and Death Becomes Her (1992). The location trail reaches Puente Hills Mall, The Gamble House and El Rey Theatre. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
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Alan Silvestri is an American composer, conductor, orchestrator and music producer. Born: 26 March 1950. Citizenship recorded in the biographical source: United States.
Alan Silvestri is credited as composer on Back to the Future. The work’s existing location story leads to Puente Hills Mall. The mall parking lot becomes Twin Pines Mall for the DeLorean test. Later changes to the site mean the film is the better guide to its 1985 appearance.
Back to the Future — credits ↗︎Puente Hills Mall ↗︎Back to the Future · The Gamble House ↗︎
Alan Silvestri is credited as composer on Who Framed Roger Rabbit. The work’s existing location story leads to El Rey Theatre. The venue lists the film among its screen appearances.
Who Framed Roger Rabbit — credits ↗︎El Rey Theatre: venue history ↗︎
Alan Silvestri is credited as composer on Predator 2. The work’s existing location story leads to Eastern Columbia Building. The Art Deco tower appears in the film’s downtown Los Angeles setting.
Alan Silvestri is credited as composer on Death Becomes Her. The work’s existing location story leads to The Ebell of Los Angeles. The Ebell’s own filming credits include Death Becomes Her. The pin identifies the campus, not an exact camera position.
Death Becomes Her — credits ↗︎Studio Ebell: productions filmed on location ↗︎
Explore 11 connections. Each connection links to its evidence; outlined circles mark approximate areas, not exact buildings or camera positions.
Filming location · Twin Pines Mall
The mall parking lot becomes Twin Pines Mall for the DeLorean test. Later changes to the site mean the film is the better guide to its 1985 appearance.
Puente Hills Mall ↗︎Back to the Future · The Gamble House ↗︎
1600 S Azusa Avenue
Open street map ↗︎A screen location
Johnie’s Coffee Shop is documented as a location associated with Volcano (1997). The pin identifies the site; individual shots and interior sets can differ.
6101 Wilshire Boulevard
Open street map ↗︎A screen location
Greystone Mansion is documented as a location associated with The Bodyguard (1992). The pin identifies the site; individual shots and interior sets can differ.
905 Loma Vista Drive
Open street map ↗︎Filming location · Doc Brown’s exterior
The Gamble House provides the exterior of Doc Brown’s 1955 home. The film’s rooms do not make the museum interior an exact replica of his laboratory.
The Gamble House: Back to the Future ↗︎Back to the Future · The Gamble House ↗︎
4 Westmoreland Place
Open street map ↗︎A screen location
Santa Monica Pier is documented as a location associated with Forrest Gump (1994). The pin identifies the site; individual shots and interior sets can differ.
200 Santa Monica Pier
Open street map ↗︎The former location
The former Ambassador Hotel was used for Forrest Gump. The hotel has been demolished; this record marks the former site, not a surviving set or visitor attraction.
3400 Wilshire Boulevard
Open street map ↗︎Predator 2
The Art Deco tower appears in the film’s downtown Los Angeles setting.
849 S Broadway
Open street map ↗︎Volcano
The tar pits form part of the film’s fictional volcanic eruption. This connection is a screen setting, not a claim of an actual eruption.
5801 Wilshire Boulevard
Open street map ↗︎The Bodyguard
The Pantages supplied the setting for the film’s Academy Awards scenes.
6233 Hollywood Boulevard
Open street map ↗︎Who Framed Roger Rabbit
The venue lists the film among its screen appearances.
5515 Wilshire Boulevard
Open street map ↗︎Forrest Gump
The Ebell lists Forrest Gump among productions filmed at its complex. The pin covers the venue rather than a documented camera position.
The Ebell of Los Angeles: history, location and cultural connections ↗︎Studio Ebell: productions filmed on location ↗︎
Death Becomes Her
The Ebell’s own filming credits include Death Becomes Her. The pin identifies the campus, not an exact camera position.
743 S Lucerne Boulevard
Open street map ↗︎Follow the work through its real places.
Robert Zemeckis
Robert Zemeckis
Stephen Hopkins
Robert Zemeckis
Mick Jackson
Robert Zemeckis
Mick Jackson
Follow a scene into the hills. A song onto the Strip. A story all the way to the ocean.
Time circuits: key a year, reach 88, and the real places filmed for it light up.
Follow collaborators through their work and the real places tied to it.
Whitney Houston was an American singer, actress, and film producer. Born on 9 August 1963, this profile follows Whitney Houston through existing screen stories and their real settings. The connected credits include The Bodyguard (1992) and The Princess Diaries (2001). The location trail reaches Greystone Mansion, Hollywood Pantages Theatre and Painted Ladies, with existing stories in San Francisco. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
Kevin Costner is an American actor and filmmaker. Born on 18 January 1955, this profile follows Kevin Costner through existing screen stories and their real settings. The connected credits include The Untouchables (1987) and The Bodyguard (1992). The location trail reaches Chicago Board of Trade Building, DuSable Bridge and Chicago Union Station, with existing stories in Chicago. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
Sally Field is an American actress. Born on 6 November 1946, this profile follows Sally Field through existing screen stories and their real settings. The connected credits include The Long Goodbye (1973), Mrs. Doubtfire (1993) and Forrest Gump (1994). The location trail reaches Lincoln Heights Jail, Painted Ladies and Union Square, with existing stories in San Francisco. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
Debbie Reynolds was an American actress, singer, and dancer. Born on 1 April 1932, this profile follows Debbie Reynolds through existing screen stories and their real settings. The connected credits include Singin’ in the Rain (1952) and The Bodyguard (1992). The location trail reaches Sony Pictures Studios, Greystone Mansion and Hollywood Pantages Theatre. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
Michael J. Fox is a Canadian-American actor, comedian, author, film producer, and activist. Born on 9 June 1961, this profile follows Michael J. Fox through existing screen stories and their real settings. The connected credits include Back to the Future (1985). The location trail reaches Puente Hills Mall and The Gamble House. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
Robert Zemeckis is an American screenwriter, film producer and director. Born on 14 May 1952, this profile follows Robert Zemeckis through existing screen stories and their real settings. The connected credits include Back to the Future (1985), Who Framed Roger Rabbit (1988), Death Becomes Her (1992) and Forrest Gump (1994). The location trail reaches Puente Hills Mall, The Gamble House and El Rey Theatre. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.