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Actor · 1952–

Annie Potts

Annie Potts is an American actress. Born on 28 October 1952, this profile follows Annie Potts through existing screen stories and their real settings. The connected credits include Ghostbusters (1984) and Pretty in Pink (1986). The location trail reaches The Biltmore Los Angeles, Los Angeles Central Library and Stephen A. Schwarzman Building. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

← All peopleFollow the geography ↓
Annie Potts
File:Annie Potts (53705697262) (cropped).jpg — Louise Palanker from Los Angeles/Santa Barbara, USA · CC BY-SA 2.0

Source is an extracted portrait from Louise Palanker’s Annie Potts on Media Path Podcast photograph. Resized without enlargement and converted to WebP. The existing People portrait frame may crop the photograph. Source colours retained. Adapted image retains CC BY-SA 2.0.

CHAPTER 03

Pretty in Pink · The Biltmore Los Angeles

Annie Potts is credited as cast member on Pretty in Pink. The work’s existing location story leads to The Biltmore Los Angeles. The Biltmore Los Angeles is documented as a location associated with Pretty in Pink (1986). The pin identifies the site; individual shots and interior sets can differ.

Pretty in Pink — credits ↗︎Millennium Biltmore Hotel ↗︎

THE PLACES BEHIND THE STORY

A life on the map.

Explore 5 connections. Each connection links to its evidence; outlined circles mark approximate areas, not exact buildings or camera positions.

01 / DOCUMENTED LOCATION · los angeles

The Biltmore Los Angeles ↗︎

The Biltmore becomes the Sedgewick Hotel

The hotel interiors stood in for Ghostbusters’ fictional Sedgewick Hotel, including the ballroom where the team catches Slimer. This is Los Angeles production geography for a story set in New York.

Los Angeles Conservancy: Ghostbusters at the Millennium Biltmore ↗︎

A screen location

The Biltmore Los Angeles is documented as a location associated with Pretty in Pink (1986). The pin identifies the site; individual shots and interior sets can differ.

Millennium Biltmore Hotel ↗︎

506 S Grand Avenue

Open street map ↗︎
IN THE STORY

Explore a shared connection.

Browse all people →

WORKS

Culture, connected.

Follow the work through its real places.

Movies · 1986

Pretty in Pink

Howard Deutch

KEEP EXPLORING

Cities and Worlds.

CITY

Los Angeles ↗︎

Follow a scene into the hills. A song onto the Strip. A story all the way to the ocean.

CITY

New York ↗︎

Street corners, fire escapes and subway rhythms. A city to read at walking pace.

WORLD · Movies

Ghostbusters ↗︎

Pole: half a firehouse in two cities; sweep Manhattan, then slide down to Los Angeles.

PEOPLE IN THE STORY

Creative connections.

Follow collaborators through their work and the real places tied to it.

Actor · Writer/Creator

Dan Aykroyd ↗︎

Dan Aykroyd is a Canadian-American actor. Born on 1 July 1952, this profile follows Dan Aykroyd through existing screen stories and their real settings. The connected credits include The Blues Brothers (1980), Ghostbusters (1984) and Chaplin (1992). The location trail reaches Hollywood Palladium, Former Elwood apartment site and Former Soul Food Cafe filming block, with existing stories in Chicago. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor

James Spader ↗︎

James Spader is an American actor. Born on 7 February 1960, this profile follows James Spader through existing screen stories and their real settings. The connected credits include Pretty in Pink (1986) and Less Than Zero (1987). The location trail reaches The Biltmore Los Angeles, John Marshall High School and The MacArthur · Park Plaza. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor

Harry Dean Stanton ↗︎

Harry Dean Stanton was an American actor. Born on 14 July 1926, this profile follows Harry Dean Stanton through existing screen stories and their real settings. The connected credits include Christine (1983), Repo Man (1984) and Pretty in Pink (1986). The location trail reaches Van Nuys High School, Second Street Tunnel and Sixth Street Viaduct — original bridge site. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor · Writer/Creator

Harold Ramis ↗︎

Harold Ramis was an American actor, comedian, and filmmaker. Born on 21 November 1944, this profile follows Harold Ramis through existing screen stories and their real settings. The connected credits include Ghostbusters (1984). The location trail reaches The Biltmore Los Angeles, Los Angeles Central Library and Stephen A. Schwarzman Building. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Director · Producer

Ivan Reitman ↗︎

Ivan Reitman was a Slovak–Canadian filmmaker. Born on 27 October 1946, this profile follows Ivan Reitman through existing screen stories and their real settings. The connected credits include Ghostbusters (1984). The location trail reaches The Biltmore Los Angeles, Los Angeles Central Library and Stephen A. Schwarzman Building. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor

Molly Ringwald ↗︎

Molly Ringwald is an American actress and writer. Born on 18 February 1968, this profile follows Molly Ringwald through existing screen stories and their real settings. The connected credits include Pretty in Pink (1986). The location trail reaches The Biltmore Los Angeles and John Marshall High School. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

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