Life and work
Christopher Walken is an American actor. Born: 31 March 1943. Citizenship recorded in the biographical source: United States.
Christopher Walken is an American actor. Born on 31 March 1943, this profile follows Christopher Walken through existing screen stories and their real settings. The connected credits include Nick of Time (1995), Catch Me If You Can (2002) and A View to a Kill. The location trail reaches Union Station, Hollywood Roosevelt Hotel and Ambassador Hotel — former site, with existing stories in San Francisco. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
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Christopher Walken is an American actor. Born: 31 March 1943. Citizenship recorded in the biographical source: United States.
Christopher Walken is credited as cast member on Nick of Time. The work’s existing location story leads to Union Station. Union Station is documented as a location associated with Nick of Time (1995). The pin identifies the site; individual shots and interior sets can differ.
Christopher Walken is credited as cast member on Catch Me If You Can. The work’s existing location story leads to Hollywood Roosevelt Hotel. Hollywood Roosevelt Hotel is documented as a location associated with Catch Me If You Can (2002). The pin identifies the site; individual shots and interior sets can differ.
Catch Me If You Can — credits ↗︎The Hollywood Roosevelt Hotel ↗︎
Christopher Walken is credited as cast member on A View to a Kill. The work’s existing location story leads to San Francisco City Hall. City Hall appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
A View to a Kill — credits ↗︎Production-location record — San Francisco City Hall ↗︎Official location dataset — A View to a Kill ↗︎
Explore 13 connections. Each connection links to its evidence; outlined circles mark approximate areas, not exact buildings or camera positions.
A screen location
Union Station is documented as a location associated with Nick of Time (1995). The pin identifies the site; individual shots and interior sets can differ.
800 N Alameda Street
Open street map ↗︎A screen location
Hollywood Roosevelt Hotel is documented as a location associated with Catch Me If You Can (2002). The pin identifies the site; individual shots and interior sets can differ.
7000 Hollywood Boulevard
Open street map ↗︎The former location
The former Ambassador Hotel was used for Catch Me If You Can. The hotel has been demolished; this record marks the former site, not a surviving set or visitor attraction.
3400 Wilshire Boulevard
Open street map ↗︎A View to a Kill — Golden Gate Bridge
Golden Gate Bridge appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
Production-location record — Golden Gate Bridge ↗︎Official location dataset — A View to a Kill ↗︎
Golden Gate Bridge, San Francisco, CA
Open street map ↗︎A View to a Kill — City Hall
City Hall appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
Production-location record — San Francisco City Hall ↗︎Official location dataset — A View to a Kill ↗︎
San Francisco City Hall, San Francisco, CA
Open street map ↗︎A View to a Kill — Chinatown
Chinatown appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
Production-location record — Chinatown ↗︎Official location dataset — A View to a Kill ↗︎
Chinatown, San Francisco, CA
Open street map ↗︎A View to a Kill — Lefty O' Doul Drawbridge/ 3rd Street Bridge (3rd Street, China Basin)
Lefty O' Doul Drawbridge/ 3rd Street Bridge (3rd Street, China Basin) appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
Production-location record — Lefty O' Doul Drawbridge/ 3rd Street Bridge (3rd Street, China Basin) ↗︎Official location dataset — A View to a Kill ↗︎
Lefty O' Doul Drawbridge/ 3rd Street Bridge (3rd Street, China Basin), San Francisco, CA
Open street map ↗︎A View to a Kill — Embarcadero Freeway
Embarcadero Freeway appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
Production-location record — Embarcadero Freeway ↗︎Official location dataset — A View to a Kill ↗︎
Embarcadero Freeway, San Francisco, CA
Open street map ↗︎A View to a Kill — Potrero Hill
Potrero Hill appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
Production-location record — Potrero Hill ↗︎Official location dataset — A View to a Kill ↗︎
Potrero Hill, San Francisco, CA
Open street map ↗︎A View to a Kill — Taylor and Jefferson Streets (Fisherman's Wharf)
Taylor and Jefferson Streets (Fisherman's Wharf) appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
Production-location record — Taylor and Jefferson Streets (Fisherman's Wharf) ↗︎Official location dataset — A View to a Kill ↗︎
Taylor and Jefferson Streets (Fisherman's Wharf), San Francisco, CA
Open street map ↗︎A View to a Kill — Burger Island (901 3rd Street, China Basin)
Burger Island (901 3rd Street, China Basin) appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
Production-location record — Burger Island (901 3rd Street, China Basin) ↗︎Official location dataset — A View to a Kill ↗︎
Burger Island (901 3rd Street, China Basin), San Francisco, CA
Open street map ↗︎A View to a Kill — Port of San Francisco
Port of San Francisco appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
Production-location record — Port of San Francisco ↗︎Official location dataset — A View to a Kill ↗︎
Port of San Francisco, San Francisco, CA
Open street map ↗︎A View to a Kill — Van Ness Avenue
Van Ness Avenue appears in the sourced production-location record for A View to a Kill. Official San Francisco Film Commission record for A View to a Kill.
Production-location record — Van Ness Avenue ↗︎Official location dataset — A View to a Kill ↗︎
Van Ness Avenue, San Francisco, CA
Open street map ↗︎Follow the work through its real places.
John Badham
Steven Spielberg
John Glen
Follow a scene into the hills. A song onto the Strip. A story all the way to the ocean.
Suspense on the waterfront, chases on impossible grades and music built in shared rooms.
Follow A View to a Kill through 10 real San Francisco locations recorded by an official city dataset or Wikidata.
Follow collaborators through their work and the real places tied to it.
Johnny Depp is an American actor. Born on 9 June 1963, this profile follows Johnny Depp through existing screen stories and their real settings. The connected credits include A Nightmare on Elm Street (1984), Ed Wood (1994) and Nick of Time (1995). The location trail reaches John Marshall High School, Musso & Frank Grill and Union Station. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
Amy Adams is an American actress. Born on 20 August 1974, this profile follows Amy Adams through existing screen stories and their real settings. The connected credits include Catch Me If You Can (2002) and Her (2013). The location trail reaches Hollywood Roosevelt Hotel, Ambassador Hotel — former site and Santa Monica Pier. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
John Williams is an American composer and conductor. Born on 8 February 1932, this profile follows John Williams through existing screen stories and their real settings. The connected credits include The Poseidon Adventure (1972), The Long Goodbye (1973), Earthquake (1974) and Home Alone — Chicago (1990). The location trail reaches RMS Queen Mary, Lincoln Heights Jail and Hollywood Reservoir · Mulholland Dam, with existing stories in Chicago. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
Jennifer Garner is an American actress. Born on 17 April 1972, this profile follows Jennifer Garner through existing screen stories and their real settings. The connected credits include Alias (2001), Pearl Harbor (2001), Catch Me If You Can (2002) and Valentine’s Day (2010). The location trail reaches Los Angeles City Hall, Greystone Mansion and The MacArthur · Park Plaza. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
Martin Sheen is an American actor. Born on 3 August 1940, this profile follows Martin Sheen through existing screen stories and their real settings. The connected credits include Catch Me If You Can (2002). The location trail reaches Hollywood Roosevelt Hotel and Ambassador Hotel — former site. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.
Ellen Pompeo is an American actress. Born on 10 November 1969, this profile follows Ellen Pompeo through existing screen stories and their real settings. The connected credits include Catch Me If You Can (2002) and Grey’s Anatomy (2005). The location trail reaches Hollywood Roosevelt Hotel, Ambassador Hotel — former site and The Biltmore Los Angeles. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.