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Actor · 1868–1946

Henry Bergman

Henry Bergman was an American actor. Born on 23 February 1868, this profile follows Henry Bergman through existing screen stories and their real settings. The connected credits include The Kid (1921) and Modern Times (1936). The location trail reaches Chaplin Studios · former Henson lot. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

← All peopleFollow the geography ↓
THE PLACES BEHIND THE STORY

A life on the map.

Explore 1 connection. Each connection links to its evidence; outlined circles mark approximate areas, not exact buildings or camera positions.

IN THE STORY

Explore a shared connection.

Browse all people →

WORKS

Culture, connected.

Follow the work through its real places.

Movies · 1921

The Kid

Charlie Chaplin

Movies · 1936

Modern Times

Charlie Chaplin

KEEP EXPLORING

Cities and Worlds.

CITY

Los Angeles ↗︎

Follow a scene into the hills. A song onto the Strip. A story all the way to the ocean.

PEOPLE IN THE STORY

Creative connections.

Follow collaborators through their work and the real places tied to it.

Actor · Director

Charlie Chaplin ↗︎

Charlie Chaplin moved into his own studio in January 1918. At La Brea and De Longpré, a new filmmaking base took shape on grounds once surrounded by orange groves.

Actor

Paulette Goddard ↗︎

Paulette Goddard was an American actress. Born on 3 June 1910, this profile follows Paulette Goddard through existing screen stories and their real settings. The connected credits include Modern Times (1936). The location trail reaches Chaplin Studios · former Henson lot. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

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