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Director · 1935–2017

John G. Avildsen

John G. Avildsen was an American film director. Born on 21 December 1935, this profile follows John G. Avildsen through existing screen stories and their real settings. The connected credits include Save the Tiger (1973) and The Karate Kid (1984). The location trail reaches Mayan Theatre, Leo Carrillo State Park and Golf N’ Stuff. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

← All peopleFollow the geography ↓
CHAPTER 02

Save the Tiger · Mayan Theatre

John G. Avildsen is credited as director on Save the Tiger. The work’s existing location story leads to Mayan Theatre. The historic Mayan Theatre is documented as a location for the film.

Save the Tiger — credits ↗︎Mayan Theater ↗︎

THE PLACES BEHIND THE STORY

A life on the map.

Explore 3 connections. Each connection links to its evidence; outlined circles mark approximate areas, not exact buildings or camera positions.

IN THE STORY

Explore a shared connection.

Browse all people →

WORKS

Culture, connected.

Follow the work through its real places.

Movies · 1973

Save the Tiger

John G. Avildsen

KEEP EXPLORING

Cities and Worlds.

CITY

Los Angeles ↗︎

Follow a scene into the hills. A song onto the Strip. A story all the way to the ocean.

WORLD · Movies

The Karate Kid ↗︎

A Malibu beach and a Norwalk amusement park give Daniel’s new California life its early landmarks.

PEOPLE IN THE STORY

Creative connections.

Follow collaborators through their work and the real places tied to it.

Actor

Pat Morita ↗︎

Pat Morita was a Japanese-American actor. Born on 28 June 1932, this profile follows Pat Morita through existing screen stories and their real settings. The connected credits include The Karate Kid (1984). The location trail reaches Leo Carrillo State Park and Golf N’ Stuff. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor

Jack Lemmon ↗︎

Jack Lemmon was an American actor. Born on 8 February 1925, this profile follows Jack Lemmon through existing screen stories and their real settings. The connected credits include Save the Tiger (1973). The location trail reaches Mayan Theatre. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor

Elisabeth Shue ↗︎

Elisabeth Shue is an American actress. Born on 6 October 1963, this profile follows Elisabeth Shue through existing screen stories and their real settings. The connected credits include The Karate Kid (1984). The location trail reaches Leo Carrillo State Park and Golf N’ Stuff. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor

William Zabka ↗︎

William Zabka is an American actor. Born on 20 October 1965, this profile follows William Zabka through existing screen stories and their real settings. The connected credits include The Karate Kid (1984). The location trail reaches Leo Carrillo State Park and Golf N’ Stuff. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor

Ralph Macchio ↗︎

Ralph Macchio is an American actor. Born on 4 November 1961, this profile follows Ralph Macchio through existing screen stories and their real settings. The connected credits include The Karate Kid (1984). The location trail reaches Leo Carrillo State Park and Golf N’ Stuff. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor

Chad McQueen ↗︎

Chad McQueen was an American actor and racecar driver. Born on 28 December 1960, this profile follows Chad McQueen through existing screen stories and their real settings. The connected credits include The Karate Kid (1984). The location trail reaches Leo Carrillo State Park and Golf N’ Stuff. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

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