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Actor · 1878–1954

Lionel Barrymore

Lionel Barrymore was an American actor, director and screenwriter. Born on 28 April 1878, this profile follows Lionel Barrymore through existing screen stories and their real settings. The connected credits include It’s a Wonderful Life (1946). The location trail reaches Beverly Hills High School. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

← All peopleFollow the geography ↓
Lionel Barrymore
Actors John and Lionel Barrymore, Los Angeles, 1930s — Photographer not identified / Los Angeles Daily News Negatives, UCLA Library · CC BY 4.0

Original archival photograph cropped to the named actor and resized without enlargement. Cropped to an individual portrait. Resized without enlargement and converted to WebP. The existing People portrait frame may crop the photograph. Source colours retained.

CHAPTER 01

Life and work

Lionel Barrymore was an American actor, director and screenwriter. Born: 28 April 1878. Died: 15 November 1954. Citizenship recorded in the biographical source: United States.

Lionel Barrymore — biographical record ↗︎

THE PLACES BEHIND THE STORY

A life on the map.

Explore 1 connection. Each connection links to its evidence; outlined circles mark approximate areas, not exact buildings or camera positions.

IN THE STORY

Explore a shared connection.

Browse all people →

WORKS

Culture, connected.

Follow the work through its real places.

Movies · 1946

It’s a Wonderful Life

Frank Capra

KEEP EXPLORING

Cities and Worlds.

CITY

Los Angeles ↗︎

Follow a scene into the hills. A song onto the Strip. A story all the way to the ocean.

PEOPLE IN THE STORY

Creative connections.

Follow collaborators through their work and the real places tied to it.

Director · Writer/Creator · Producer

Frank Capra ↗︎

Frank Capra was an Italian-born American film director. Born on 18 May 1897, this profile follows Frank Capra through existing screen stories and their real settings. The connected credits include It’s a Wonderful Life (1946). The location trail reaches Beverly Hills High School. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor

Donna Reed ↗︎

Donna Reed was an American film and television actress. Born on 27 January 1921, this profile follows Donna Reed through existing screen stories and their real settings. The connected credits include It’s a Wonderful Life (1946). The location trail reaches Beverly Hills High School. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

Actor

Gloria Grahame ↗︎

Gloria Grahame was an American actress. Born on 28 November 1923, this profile follows Gloria Grahame through existing screen stories and their real settings. The connected credits include It’s a Wonderful Life (1946) and In a Lonely Place (1950). The location trail reaches Beverly Hills High School and Beverly Hills City Hall. Each stop belongs to a particular work and moment, keeping the creative credit beside the place that gives the story its geography. Explore the films and programmes below to move between performances, collaborators and settings, and use each location’s own story for the documented connection. These are work locations; a credit alone does not establish a personal visit to every mapped stop. The credit and location sources remain alongside each story for further reading.

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