Electric Lady’s recording room and Sam Wagstaff’s apartment connect the album’s music with Robert Mapplethorpe’s cover photograph.
Horses took recorded form at Electric Lady, where Patti Smith worked with John Cale, and acquired its cover portrait in Sam Wagstaff’s apartment at One Fifth Avenue. The two settings connect a band’s studio work with the photographic relationships around Smith. They are separate places in the making of the same album.
Explore the places
Markers identify buildings or documented location references. They do not mark an exact recording room, stage position or camera angle.
Electric Lady’s history places Smith’s first single, Hey Joe / Piss Factory, at the studio in 1974. She returned to Studio A for Horses with Cale producing. Released in November 1975, the album included her transformations of Gloria and Land. The studio connection therefore extends across an early single and the debut album, tracing a continuing working relationship rather than an isolated famous credit.[3]
A portrait in Wagstaff’s apartment
The NYC LGBTQ Historic Sites Project identifies One Fifth Avenue as Wagstaff’s home from 1975 and locates Mapplethorpe’s Horses portrait in his penthouse. The address belonged to a wider photographic world: Wagstaff collected photographs and received artists, collectors and dealers there. The cover emerged within those relationships, bringing Smith’s record into contact with another medium and another creative setting. This is a historical interior association, not an invitation into a present residence.[1]
The surviving record expands
Legacy’s fiftieth-anniversary archive notice describes remastering from the original quarter-inch tapes and adding outtakes, alternate takes and Smith’s 1975 RCA audition recordings. In the statement accompanying it, Smith credited the band’s teamwork in bringing Horses into being. The later archive lets listeners encounter stages around the familiar album, while her reflection returns its achievement to collective work. The portrait and the recording preserve different parts of that collaboration.[2]
The front of Electric Lady Studios on West 8th Street, 2013. Jhsounds · CC BY-SA 3.0. Existing local rendition. Venue illustration; not a photograph of the historic music event.
Smith records Horses with John Cale
1975 album sessions
Patti Smith recorded Horses in Studio A at Electric Lady Studios with producer John Cale; the studio dates the album’s release to November 1975.[3]
Robert Mapplethorpe photographed Patti Smith for the Horses cover in Sam Wagstaff’s penthouse apartment at One Fifth Avenue, New York, in 1975.[1]
Reading the place today
Electric Lady is a working recording studio. One Fifth Avenue is a residential building; the historical cover setting is private and no apartment access is implied. Neither connection grants permission to reproduce the album cover or other photography.