filmThe Third Man
Wheel: fifteen Riesenrad cabins, fifteen real places in a city of four sectors.
14 places in ViennaPymouss · CC BY-SA 4.0 · Display-cropped · City context photograph
Explore Vienna through the places behind its cultural stories. Start with The Third Man, Before Sunrise, Ludwig van Beethoven, then follow the connections between the works, people and locations in this collection. Use the map to see how the documented locations fit together, and browse the place cards for the story behind each stop. A production location and the place it represents on screen can be different; each connection keeps those details separate. For something happening now, follow the official events programme and confirm dates and access with the organiser before travelling. Build your own route by choosing the stories that interest you most. Return to explore new stories as the collection grows.
filmWheel: fifteen Riesenrad cabins, fifteen real places in a city of four sectors.
14 places in ViennaPymouss · CC BY-SA 4.0 · Display-cropped · City context photograph
filmGlance: one night in Vienna where every stop is a game they played.
13 places in ViennaManfred Werner (Tsui) · CC BY-SA 4.0 · Display-cropped
musicExplore Ludwig van Beethoven through the Vienna locations documented by the linked sources.
6 places in ViennaPymouss · CC BY-SA 4.0 · Display-cropped · City context photograph
Places connected to Lebe lauter — Christina Stürmer.
Places connected to Alla turca (orchestral arrangement) — Wiener Mozart Orchester, Manuel Hernández-Silva.
Places connected to Ned woah.
Places connected to "Vergnügte Ruh, beliebte Seelenlust", BWV 170: 1. Aria: "Vergnügte Ruh, beliebte Seelenlust" — Alfred Deller, Leonhardt‐Consort, Gustav Leonhardt.
Places connected to Suite in A minor: La Sautillante Nr. 30 & Double Nr. 31.
Places connected to Ecstasy.
Places connected to The Four Seasons: Concerto no. 1 in E, RV 269 "Spring": II. Largo e pianissimo — Anne‐Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan.
Places connected to Mei klanes Heaz.
Places connected to Voices in the Dark.
Places connected to Why Them.
Places connected to DJ‐Kicks: Kruder & Dorfmeister — Kruder & Dorfmeister.
Places connected to Concerto à 3 Hautbois, 3 Violini et Basse, B-dur: Allegro — Concentus Musicus Wien, Nikolaus Harnoncourt.
Places connected to Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio, ma non tanto — Nikolaus Harnoncourt, Gustav Leonhardt, Edith Steinbauer, Eduard Melkus, Alfred Altenburger, Frieda Krause-Litschauer, Bruno Seidlhofer, Josef Mertin.
Places connected to Ack Värmland Du Sköna — Rigmor Gustafsson.
Places connected to Diese Stadt / renoviert — Mondscheiner.
Places connected to Holocaust.
Places connected to Orga-Nastro, op. 212 — Martin Haselböck.
Places connected to Vienna Blood.
Places connected to Sonata no. 1: Andantino — Guido Fichtner.
Places connected to 7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46 — Shani Diluka, Valentin Erben.
Places connected to Angelstar.
Places connected to Caprice fantastique "Wichtelmännchen" — Thomas Albertus Irnberger, Evgueni Sinaiski.
Places connected to Waldviertler Sechsviertler.
Places connected to Piano Quartet in A major, op. 26: Finale – Allegro — Primrose Piano Quartet.
Places connected to Ding Dong.
Places connected to Too Many Days Like These.
Places connected to Extraction 2.
Places connected to A la mignonne de fortune — Ensemble Unicorn, Michael Posch.
Places connected to Paganini: Akt I. Dialog — Großes Wiener Rundfunkorchester, Franz Lehár.
Places connected to The Moon of Israel.
Places connected to Inspector Rex.
Places connected to Die Ordnung in Wien — Kottan's Kapelle.
Places connected to Golf (Club-inger).
Places connected to Pizzicato Polka — Wiener Philharmoniker, Herbert von Karajan.
Places connected to cetvs candidvs — Klangforum Wien.
Places connected to Violinsonate Nr. 3 g-Moll: I. Grave - Andante — Yury Revich.
Places connected to Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: I. Allegro — Isabelle van Keulen, Julian Steckel, Stefan Vladar, Wiener KammerOrchester.
Places connected to String Quartet in D major: I. Frisch — Aron Quartet.
Places connected to Tlaloc's Grace.
Places connected to The Fifth Musketeer.
Places connected to 7 Papillons: No. 1 — Ana Topalovic.
Places connected to The Living Daylights.
Places connected to Tell Me The Way To The Next Whiskey Bar.
Places connected to Travelin' Man.
Places connected to Maknongan — Uli Fussenegger.
Places connected to Rise and Fall.
Places connected to Unsere kleine Anna.
Places connected to String Trio in E-Flat major, op. 17 no. 2: I. Allegro Moderato — Ensemble Cordia.
Places connected to Exterritorial.
Places connected to Sonata no. 1 in E major, D. 157: III. Menuetto. Allegro vivace — Paul Badura‐Skoda.
Places connected to Piano Quintet in F-sharp minor: I. Mit groß Energie — Stefanie Huber, Sybille Häusle, Le Liu, Lydia Peherstorfer, Patrick Vida.
Places connected to Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: I. Allegro — Concentus Musicus Wien, Nikolaus Harnoncourt.
Places connected to Matthäus-Passion BWV 244, 2. LIX. Recitativo (Alto 1) "Ach, Golgatha" — Concentus Musicus Wien, Nikolaus Harnoncourt.
Places connected to The Regime.
Places connected to Goodbye — Linda Sharrock.
Places connected to Symphony no. 1 in D major, D 82: Adagio – Allegro vivace — Klangkollektiv Wien, Rémy Ballot.
Places connected to Aus dem Schenkenbuch im Divan I, op.25 no.5 — Wolfgang Holzmair, Imogen Cooper.
Places connected to Josefine.
107 places · 107 mapped locations

Vienna’s official Before Sunrise Walk begins at Westbahnhof, where Céline and Jesse decide to roam Vienna for a night.
A working station with shops, open every day. The post-war hall still stands.

Soon after leaving the train, Céline and Jesse cross this bridge and stop to talk with two actors about their play.
A public footbridge over the River Wien, open at all hours. Wait for a U-Bahn train to pass underneath.
About 27 minutes into the film, Céline and Jesse take a Kath Bloom record into the shop’s listening booth and play “Come Here”.
A working second-hand record shop, open Monday to Saturday. Check the day’s hours before you go.

Céline and Jesse play-act phone calls to the people they love here, among faded flowery upholstery and newspapers on the counters.
Monday to Saturday 7am–10pm, Sunday 10am–8pm. Closed on Sundays in July and August.

Céline and Jesse sit outside this café at night, and a fortune teller comes to their table.
Monday to Saturday 10am–2am, Sunday 10am–midnight. Cash only. Tables out on the square in warm weather.

Céline and Jesse share their first kiss in a cabin of the Riesenrad, high over Vienna.
Open all year. A standard ticket is €14.50, on site or online. On 6 October 2026 it ran 10am–9.45pm.

Céline and Jesse walk through this burial ground on the south-eastern edge of the city.
Daylight only; no entry after dark. Bus 76A or 76B to the end of the line, then 600 metres on foot.

In the evening Céline and Jesse come up the steps from Am Gestade and go into the empty church.
A working church at Salvatorgasse 12. Climb the steps from Am Gestade; keep quiet inside.

Céline and Jesse walk through this square, past its sculptures and fountains, between the Kunsthistorisches and Naturhistorisches Museum.
A public square, open at all hours, between the two great museums.

At night Céline and Jesse wander these lanes and stop to watch a street performer.
Public lanes of bars and restaurants. Christmas market 13 November–23 December 2026.

Jesse plays pinball here and they drink beer, talking about love and old flames.
A concert venue: go for a show. See the programme on the Arena’s site.

On the canal bank by the Schützenhaus, Céline and Jesse meet a poet who writes poems for money.
The canal paths are public. The Schützenhaus is a restaurant now.

In the morning Céline lies in Jesse’s lap below the statue of Archduke Albrecht, before they part.
The terrace and steps are public. The museum opens daily 10am–6pm, to 9pm on Wednesdays and Fridays.

The film begins and ends at the Zentralfriedhof.
Main entrance at Gate 2. Open 7am–6pm from 1 October to 2 November, 8am–5pm from 3 November to the end of February.

Harry’s flat was filmed in a building on Josefsplatz marked by its pillars; the square is still intact.
A public square beside the Hofburg. The doorway belongs to a private building: look from the square.

The Sacher features in several scenes of the film.
A working five-star hotel opposite the Albertina; its café and bars are open to non-residents.

Holly Martins meets the mysterious “Baron” Kurtz at the Café Mozart.
Open every day, 8am to 11.30pm; the kitchen closes at 10.30pm.

Harry Lime is first seen in the doorway of number 8 Schreyvogelgasse; the doorway is preserved, with fresh paint.
A lived-in house on a public lane. Look from the street; the doorway is someone’s front door.

When Harry flees, the street he runs down into the square is Schulhof, with its arch; the arch remains.
A public lane running into Am Hof.

Anna’s flat was filmed in Am Hof; the derelict block was later demolished and replaced by a modern building.
A public square, open at all hours.

Tours start at the big red sewer grate opposite Café Museum and go down the original staircase from the film, 7 metres below ground, with helmet and head torch.
Guided only, May to October, Thursday to Sunday, every hour from 10am (last tour 7pm). Minimum age 12; booking required on +43 1 4000 3033.

The Hotel Imperial was the Soviet headquarters in occupied Vienna.
A working hotel on the Ring; its café is open to non-residents.

The Third Man was first shown in Austria at the Apollo cinema on 10 March 1950.
A working multiplex.

The Burg Kino shows The Third Man in English every Sunday, and on Tuesdays with German subtitles.
Tickets €10.50. The box office opens 30 minutes before the first screening.

Fifteen rooms hold 3,000 original exhibits, among them the zither Anton Karas used to record the film music and 420 cover versions of the Harry Lime theme.
Saturdays 2–6pm (adults €12). Open 26 and 30 December 2026 and 2 January 2027, then closed for winter until 27 March 2027. Private tours any day by arrangement.

A plaque put up by the district in 2006, for his hundredth birthday, records that Karas was born at Leystraße 46 on 7 July 1906 and lived there until he was 19.
In a small green space on the street corner.

Anton Karas was buried at Sievering cemetery on 21 January 1985, in an honorary grave: group 28, row 9, number 9.
Group 28, row 9, number 9. Open 7am–6pm until 2 November, 8am–5pm in winter.

Rogue Nation shot stunt scenes on the roof of the State Opera.
Standard guided tours take about 40 minutes; adults €18. Buy online, or on site from 30 minutes before.
Mozart composed the opera while living here, 1784–1787.
Confirm current access with the venue. Source documentation does not establish present visitor access.
Domgasse 5, Vienna · Source-recorded site-centre position, pending geography review. Not a surveyed filming viewpoint or confirmation of current access.
Heiligenstadt Testament and composition site.
Confirm current access with the venue. Source documentation does not establish present visitor access.
Probusgasse 6, Vienna · Source-recorded site-centre position, pending geography review. Not a surveyed filming viewpoint or confirmation of current access.
Brief residence in 1817.
Confirm current access with the venue. Source documentation does not establish present visitor access.
Pfarrplatz, Vienna · Source-recorded site-centre position, pending geography review. Not a surveyed filming viewpoint or confirmation of current access.
Walking route frequented by composer.
Confirm current access with the venue. Source documentation does not establish present visitor access.
Beethovengang, Vienna · Source-recorded area position, pending geography review. Not a surveyed filming viewpoint or confirmation of current access.
Residence and work on Fidelio and Für Elise.
Confirm current access with the venue. Source documentation does not establish present visitor access.
Pasqualatihaus, Vienna · Source-recorded site-centre position, pending geography review. Not a surveyed filming viewpoint or confirmation of current access.
Fidelio premiere and brief residence.
Confirm current access with the venue. Source documentation does not establish present visitor access.
Theater an der Wien, Vienna · Source-recorded site-centre position, pending geography review. Not a surveyed filming viewpoint or confirmation of current access.
Commemorative statues; one destination.
Confirm current access with the venue. Source documentation does not establish present visitor access.
Beethovenpark, Vienna · One collective Beethovenplatz park reference, not two individual monument positions, a grave or Heiligenstadt museum. Existing visitor restrictions apply. Wikipedia contributors, CC BY-SA 4.0; community geographic record, article revision 263459085.
MovieMaps lists Belvedere Palace in its filming-location catalogue for Woman in Gold. The production-site association and current access await review.
Confirm current access with the venue. Source documentation does not establish present visitor access.
Belvedere Palace, Vienna · MovieMaps location bt1 llat/llng; source-recorded site centre, geography review pending; not a surveyed viewpoint.
MovieMaps lists Prater in its filming-location catalogue for The Night Porter. The production-site association and current access await review.
Confirm current access with the venue. Source documentation does not establish present visitor access.
Prater, Vienna · MovieMaps location 5dv llat/llng; source-recorded site centre, geography review pending; not a surveyed viewpoint.
Isabelle van Keulen, Julian Steckel, Stefan Vladar, Wiener KammerOrchester’s recording of “Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: I. Allegro”, released on “The Solo Concertos”, was recorded at Synchron Stage Vienna.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Votive Church was a filming location for The Fifth Musketeer.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Universitätszentrum Althanstraße was a filming location for Exterritorial.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Linda Sharrock’s recording of “Goodbye”, released on “Confessions”, was recorded at 4tune.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Recording work for DJ‐Kicks: Kruder & Dorfmeister by Kruder & Dorfmeister took place at G-Stone Studio 1 — Ottakring.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Stefanie Huber, Sybille Häusle, Le Liu, Lydia Peherstorfer, Patrick Vida’s recording of “Piano Quintet in F-sharp minor: I. Mit groß Energie”, released on “Piano Quintet / Violin Sonata”, was recorded at Joseph Haydn Hall.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Kottan's Kapelle’s recording of “Die Ordnung in Wien”, released on “Jellinek (Cadillac)”, was recorded at Studio Benkö.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Aron Quartet’s recording of “String Quartet in D major: I. Frisch”, released on “String Quartet / Piano Quintet”, was recorded at Schloss Laudon.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Visions of Atlantis’s recording of “Tlaloc's Grace”, released on “Ethera”, was recorded at Tonstudio WildOneMusic.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Rigmor Gustafsson’s recording of “Ack Värmland Du Sköna”, released on “Calling You”, was recorded at Clipwerk.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Paul Coxx’s recording of “Voices in the Dark”, released on “Voices in the Dark”, was recorded at Cloud One Studio.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Wir 4’s recording of “Ned woah”, released on “Noch vuan”, was recorded at fm – Sounddesign.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Großes Wiener Rundfunkorchester, Franz Lehár’s recording of “Paganini: Akt I. Dialog”, released on “Paganini. Operette in 3 Akten”, was recorded at Funkhaus Wien.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Wolfgang Holzmair, Imogen Cooper’s recording of “Aus dem Schenkenbuch im Divan I, op.25 no.5”, released on “Schumann Lieder”, was recorded at Jugendstil Theater.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Fuzz Noir’s recording of “Tell Me The Way To The Next Whiskey Bar”, released on “Uarrgh 2”, was recorded at WUK Studios.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Recording work for Diese Stadt / renoviert by Mondscheiner took place at Gab Studio — Liesing.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Schönbrunn palace theatre was a filming location for The Living Daylights.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Karlskirche was a filming location for Vienna Blood.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Concentus Musicus Wien, Nikolaus Harnoncourt’s recording of “Matthäus-Passion BWV 244, 2. LIX. Recitativo (Alto 1) "Ach, Golgatha"”, released on “Matthäus-Passion”, was recorded at Jesuitenkirche-Universitätskirche.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Maddalena Del Gobbo, Michele Carreca, Christoph Prendl, Ewald Donhoffer’s recording of “Suite in A minor: La Sautillante Nr. 30 & Double Nr. 31”, released on “Henriette, the Princess of the Viol”, was recorded at Tonzauber-Studio.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Yury Revich’s recording of “Violinsonate Nr. 3 g-Moll: I. Grave - Andante”, released on “Concertos / Overtures”, was recorded at Peterskirche.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Concentus Musicus Wien, Nikolaus Harnoncourt’s recording of “Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: I. Allegro”, released on “Brandenburgische Konzerte 1-6”, was recorded at Palais Schönburg.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Klangforum Wien’s recording of “cetvs candidvs”, released on “Die Überwinterung der Mollusken”, was recorded at Kirche Zur Heiligsten Dreifaltigkeit.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Guido Fichtner’s recording of “Sonata no. 1: Andantino”, released on “The 37 Guitar Sonatas”, was recorded at Schloss Hetzendorf.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Dargaard’s recording of “Rise and Fall”, released on “Rise and Fall”, was recorded at Pure Sound Recordings.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
5Haus Posse’s recording of “Golf (Club-inger)”, released on “Golf”, was recorded at Sunshine Music.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Kirche am Steinhof was a filming location for Vienna Blood.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Wiener Philharmoniker, Herbert von Karajan’s recording of “Pizzicato Polka”, released on “Johann Strauss II, Josef Strauss: Waltzes & Polkas / Reznicek: Donna Diana Overture”, was recorded at Brahms-Saal.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Laaer Berg was a filming location for The Moon of Israel.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Nikolaus Harnoncourt, Gustav Leonhardt, Edith Steinbauer, Eduard Melkus, Alfred Altenburger, Frieda Krause-Litschauer, Bruno Seidlhofer, Josef Mertin’s recording of “Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio, ma non tanto”, released on “Early Music Log: J.S Bach”, was recorded at Casino Baumgarten.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Stadtpark was a filming location for Inspector Rex.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Hansi Lang, Klaus Wienerroither’s recording of “Mei klanes Heaz”, released on “Die Bucht von Wien”, was recorded at sash-ideas/Audiovisions.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
DC Towers was a filming location for Extraction 2.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Kursalon Vienna was a filming location for Vienna Blood.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Alfred Deller, Leonhardt‐Consort, Gustav Leonhardt’s recording of “"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 1. Aria: "Vergnügte Ruh, beliebte Seelenlust"”, released on “Bach 333 - J.S. Bach The New Complete Edition”, was recorded at Franziskanerkirche.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
St. Michael's Church was a filming location for Vienna Blood.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Erste Allgemeine Verunsicherung’s recording of “Ding Dong”, released on “Hit-Parade: Die deutschen Superhits”, was recorded at Sound Mill Studio.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Martin Haselböck’s recording of “Orga-Nastro, op. 212”, released on “The Organ Works”, was recorded at Augustinerkirche.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Antonigasse was a filming location for The Living Daylights.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Burggarten was a filming location for Vienna Blood.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Michael Tschuggnall’s recording of “Too Many Days Like These”, released on “Michael Tschuggnall”, was recorded at Dolphin Suite Studios.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Wasserturm was a filming location for Inspector Rex.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Naturhistorisches Museum Wien — Vienna was a filming location for Inspector Rex.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Wiener Mozart Orchester, Manuel Hernández-Silva’s recording of “Alla turca (orchestral arrangement)”, released on “The Best of Mozart, Volume 2”, was recorded at Ronacher.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Kai Strauss’s recording of “Travelin' Man”, released on “Wailin' in Vienna”, was recorded at Styx Records Studio.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Gartenpalais Liechtenstein was a filming location for The Regime.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Shani Diluka, Valentin Erben’s recording of “7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46”, released on “Complete Works for Cello and Piano”, was recorded at Yamaha Music School.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Christina Stürmer’s recording of “Lebe lauter”, released on “Mitten unterm Jahr”, was recorded at Ö3 Studios Heiligenstadt.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Paul Badura‐Skoda’s recording of “Sonata no. 1 in E major, D. 157: III. Menuetto. Allegro vivace”, released on “The Complete Piano Sonatas Played on Period Instruments”, was recorded at Palais Clam-Gallas.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Thomas Albertus Irnberger, Evgueni Sinaiski’s recording of “Caprice fantastique "Wichtelmännchen"”, released on “Wien im Fin de siècle”, was recorded at Hotel Josefshof: Saal Sissi.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Dead Nittels’s recording of “Josefine”, released on “Letzte Ausfahrt Simmering”, was recorded at Audiorama.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Klangkollektiv Wien, Rémy Ballot’s recording of “Symphony no. 1 in D major, D 82: Adagio – Allegro vivace”, released on “Sinfonien 1 & 8 “Unvollendete””, was recorded at Lorely-Saal.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Altes Palmenhaus was a filming location for Ecstasy.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Primrose Piano Quartet’s recording of “Piano Quartet in A major, op. 26: Finale – Allegro”, released on “The Piano Quartets”, was recorded at Ehrbar Saal.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Uli Fussenegger’s recording of “Maknongan”, released on “Natura renovatur”, was recorded at Schottenstift.
Check current access before visiting.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Sofiensaal was a filming location for The Living Daylights.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Anne‐Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan’s recording of “The Four Seasons: Concerto no. 1 in E, RV 269 "Spring": II. Largo e pianissimo”, released on “Le quattro stagioni”, was recorded at Zeremoniensaal.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
3 Feet Smaller’s recording of “Angelstar”, released on “3rd Strike”, was recorded at FFW Studios.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Ernst Molden’s recording of “Unsere kleine Anna”, released on “Bubenlieder”, was recorded at Tonkombüse.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Ana Topalovic’s recording of “7 Papillons: No. 1”, released on “Bachiana: A Solo Cello Fantasy”, was recorded at Wiener Flötenwerkstatt: Eventsaal.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Volksoper — Alsergrund was a filming location for The Night Porter.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Karl Ratzer’s recording of “Waldviertler Sechsviertler”, released on “Gitarre”, was recorded at Soundborn Studios.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Ensemble Cordia’s recording of “String Trio in E-Flat major, op. 17 no. 2: I. Allegro Moderato”, released on “String Trios, op. 3 nos. 1 & 3 / op. 17 no. 1”, was recorded at Palais Lobkowitz: Eroica Hall.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Concentus Musicus Wien, Nikolaus Harnoncourt’s recording of “Concerto à 3 Hautbois, 3 Violini et Basse, B-dur: Allegro”, released on “Doppelkonzerte”, was recorded at Palais Schwarzenberg.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Billrothhaus was a filming location for Vienna Blood.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Palais Auersperg was a filming location for The Fifth Musketeer.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Haas House was a filming location for Inspector Rex.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Ensemble Unicorn, Michael Posch’s recording of “A la mignonne de fortune”, released on “Fortuna desperata”, was recorded at Lutherische Stadtkirche.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Extrem’s recording of “Why Them”, released on “Voluntary Enslavement”, was recorded at Vienna Power Station.
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· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Reisenberg was a filming location for Holocaust.
General named-site reference. Current access remains unverified.
· Approximate named-site reference from the linked source; not a surveyed filming viewpoint. Current access is unverified.
Wheel: fifteen Riesenrad cabins, fifteen real places in a city of four sectors.
Glance: one night in Vienna where every stop is a game they played.
Explore Ludwig van Beethoven through the Vienna locations documented by the linked sources.
Fuse: every mission is a disguise; the places underneath are real.
Enter the existing World ↗Explore The Marriage of Figaro through the Vienna locations documented by the linked sources.
Explore The Night Porter through the Vienna locations documented by the linked sources.
Explore Woman in Gold through the Vienna locations documented by the linked sources.
City photograph: Pymouss · CC BY-SA 4.0 · Display-cropped for this layout.
Music videos, cover images and recording history. Each connection links to its source. 21 named locations have supported map pins; locations awaiting coordinates remain below.
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Explore Vienna on the map.
Open full map ↗21 locations · 22 connections · showing 21
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Maddalena Del Gobbo, Michele Carreca, Christoph Prendl, Ewald Donhoffer · Recording history · Sourced
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Mario Hossen, Nadja Hoebarth · Recording history · Sourced
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Clemencic Consort, René Clemencic · Recording history · Sourced