
Pelham Parkway
In the film LaMotta’s neighbourhood is Pelham Parkway in the Bronx, where the apartment interiors were shot.
A public parkway with a long grass mall. The apartment interiors were private homes: walk the parkway, not the stairs.
Weigh-in · the Bronx, Manhattan and Los Angeles · shot 1979 · released 1980


Make the weight: slide the poise to 160.
122 lb on the beam: too light, the tip rises.
A middleweight from the Bronx, a pool on Clarkson Street, and a Florida built in Los Angeles. Here is where it all is now.
Pelham Parkway · East 149th Street · Water Street, Brooklyn
He was born on the Lower East Side and raised in the Bronx, and they called him the Bronx Bull. The film has him buying a new home in the Bronx after he marries Vickie in 1943.


Pelham Parkway
In the film LaMotta’s neighbourhood is Pelham Parkway in the Bronx, where the apartment interiors were shot.
A public parkway with a long grass mall. The apartment interiors were private homes: walk the parkway, not the stairs.

The Hub, 149th and Third
Gleason’s Gym was founded at the Hub, 149th Street and Third Avenue, in the heart of the Bronx, and has been going since 1937. It stayed there until 1974, then moved to Brooklyn.
Gleason’s was the training headquarters of Jake LaMotta, Muhammad Ali and Roberto Duran.
The gym left in 1974. The Hub is a crossroads of shops and subway stairs today.
The gym in the story

Gleason’s is at 130 Water Street now, in the shadow of the Manhattan Bridge. It opens Monday to Friday from 5am to 10pm, and from 6am to 6pm at weekends.
DUMBO, Brooklyn · Mon–Fri 5am–10pm · Sat–Sun 6am–6pm · rates on the site
The gym that began at the Hub in the Bronx in 1937 and counts LaMotta among its fighters. Now at 130 Water Street, Brooklyn.
Opening hours and ratesThe gym on film

In the film Jake spars with his brother Joey at Gleason’s. The scene was shot in the Gramercy Gym at 116 East 14th Street.
The Gramercy Gym was demolished in 1993.
The gym has gone. Walk 14th Street towards Union Square.
Clarkson Street · East 11th Street · East 60th Street
Jake first meets Vickie at the open-air pool on Clarkson Street.


The pool

Jake meets Vickie at the open-air pool of the Tony Dapolito Recreation Center, then the Carmine Street Recreation Center, at 1 Clarkson Street and Seventh Avenue South.
The red-brick centre went up between 1906 and 1908 and became a city landmark in 2010.
Keith Haring, a Village resident, painted the mural beside the pool.
In August 2024 it had been closed for about five years. The city disclosed plans to demolish the building; the outdoor pool would remain.
Closed for repairs when last reported. See the building and the Keith Haring mural from Clarkson Street.
The dance

The “Chester Palace” dance, where Jake first sees Vickie, is Webster Hall.
It was built for Charles Goldstein in 1886–87 to designs by Charles Rentz Jr., and became a city landmark on 18 March 2008.
RCA Victor ran a recording studio here from 1953 to 1968. In the 1970s and 1980s the building held Casa Galicia and the rock club The Ritz.
The landmark report names Raging Bull among its films. The name Webster Hall came back in 1990.
A working music venue: look at the terracotta from 11th Street, or buy a ticket for a show.
The Copa

At the old Copacabana, Jake’s jealousy begins to show.
The Copa opened at 10 East 60th Street, near the entrance to Central Park, in 1940. The supper club closed in the early 1970s.
Scorsese came back to the Copa for another famous Steadicam shot, in Goodfellas.
The building stands near Central Park; the club is long gone, so see it from the pavement.

The outside of the apartment is West 56th Street in Manhattan; the inside is Pelham Parkway in the Bronx.
The outside of LaMotta’s Bronx apartment is 447 West 56th Street at Tenth Avenue, in Manhattan’s old Hell’s Kitchen. The production moved to New York in June 1979 for exteriors and more interiors.
Private homes: named here, not mapped. The picture is Tenth Avenue, not the building.
The Olympia, Detroit, 1943 · the MGM lot, 1979
Put someone on the platform, then slide the poise until the beam settles level.
120 lb on the beam: too light, the tip rises.

On 5 February 1943, at the Olympia in Detroit, Robinson weighs in at 144 and gives away some sixteen pounds. LaMotta wins: Robinson’s first defeat.
On 16 June 1949, in Detroit, he becomes middleweight champion when Marcel Cerdan cannot go on after the tenth round. He holds the title until 14 February 1951, when he loses it to Robinson.
Early in August 1979 the production stops so De Niro can gain weight. It starts again on 3 December in the Los Angeles area.
Hang De Niro’s gain on the beam
The hanger is empty. Pick a figure.
Sources give De Niro’s gain as 40, 50, 55 or 60 pounds; most say 55. The AP obituary of LaMotta says De Niro gained 50 pounds to play the older, heavier man.

Culver City · 18th and Grand, downtown Los Angeles
The fight sequences were shot over several weeks on an MGM stage. The long shots and the crowds in the fights, Scorsese’s Steadicam shot among them, are the Olympic Auditorium.
The stage: the old MGM lot

Photography began on 16 April 1979 on the MGM lot in Culver City, with interiors.
The lot is Sony Pictures Studios now. Its two-hour walking tour runs Monday to Friday at $55 a head, and must be booked.
A working studio: inside the gates by guided tour only, Monday to Friday, booked ahead.
10202 West Washington Boulevard, Culver City · $55 · Monday to Friday · booking required · (310) 244-8687
A two-hour guided walk round the old MGM lot, where photography began on 16 April 1979 and the fights were shot on a stage.
Book the tourThe crowd: the Olympic Auditorium

It hosted bouts in the 1932 Olympics and seats more than 7,000. The climactic fights of Rocky, Rocky II and Rocky III were staged here too.
In 2005 it was sold to the Glory Church of Jesus Christ, a Korean congregation from downtown Los Angeles.
A church now: see it from Grand Avenue, and give services their peace.
Scorsese chooses black and white after Michael Powell, watching 8mm rehearsal footage of a fight, says the colour of the gloves looks wrong.
The only colour in the film is a run of grainy home movies of the LaMottas, Joey, Vickie and their families. Michael Chapman tries 16mm reversal film to imitate home movies, then hands the camera to Scorsese.
San Pedro · off Palms Boulevard · Miami Beach
For the film it was kitted out with a couple of palm trees.
Los Angeles, December 1979. No palms yet.

The older LaMotta’s Florida nightclub was shot at 1331 South Pacific Avenue at West 14th Street in San Pedro, a few blocks south of the Warner Grand Theatre.
The guide notes that the building is a club again today. The crew came back to Los Angeles on 3 December 1979 for the Florida scenes, after the break for De Niro to gain weight.
See it from Pacific Avenue. The Warner Grand Theatre, a few blocks north, is open for shows and screenings.

The older LaMotta’s Florida home is 3460 Cabrillo Boulevard at Palms Boulevard, on the Venice side of Los Angeles.
A private house: named here, not mapped. The picture is the neighbourhood, not the house.

After he retired from the ring in 1954, the family moved to Miami Beach, where he opened a nightclub. An obituary says he owned the nightclub in Miami for a time, then dabbled in show business and commercials.
He died in a Miami-area hospital in September 2017, at 95.
Our sources give no street address for his club, so it is not on the map. The film never went to Florida.
4441 Collins Avenue, Miami Beach
Not connected to the film: Morris Lapidus’s 1954 hotel on Collins Avenue, from the Miami Beach decade when LaMotta ran his club in the town. Pictured: Collins Avenue in 1955.
Check rooms
106 Central Park South
The hotel opened on 12 May 1930 as the first music-art residence in the United States, with halls for concerts, recitals, dance and drama. It is now the Trump Parc apartment building.
The movie-locations guide
The movie-locations guide says the older LaMotta rehearses Brando’s contender speech from On the Waterfront in the old Barbizon Plaza Theatre.
The AFI Catalog
The AFI Catalog lists the dressing room among the scenes shot in Los Angeles that December.
Two accounts of one rehearsal. We keep both.

Private apartments now: see the tower and its gilded crown from Central Park South.
768 Fifth Avenue, New York · Rates on booking · (212) 759-3000
Not a filming location: the hotel at Fifth Avenue and 59th Street, a block from the old Copa on East 60th and a short walk from the Barbizon-Plaza. Open since 1 October 1907; 282 rooms, 102 of them suites. Pictured: the Copa in 1949.
Check rooms
After the scale
11 places you can visit, from Pelham Parkway to the Olympic Auditorium. The Florida house and the West 56th Street apartment are private homes, named and not mapped; LaMotta’s Miami Beach club has no address to pin.
Pins mark public places; private homes are named but not pinned.
General reference · Public access · Coordinate precision: area · Not an exact scene or camera position; not a visitor route. A public parkway with a long grass mall. The apartment interiors were private homes: walk the parkway, not the stairs.
General reference · Public access · Coordinate precision: site · Not an exact scene or camera position; not a visitor route. The gym left in 1974. The Hub is a crossroads of shops and subway stairs today.
General reference · Public access · Coordinate precision: building · Not an exact scene or camera position; not a visitor route. A working gym. Open Monday to Friday 5am to 10pm, weekends 6am to 6pm; check the rates before you go.

Pelham Parkway, the Bronx
In the film LaMotta’s neighbourhood is Pelham Parkway in the Bronx, where the apartment interiors were shot.
A public parkway with a long grass mall. The apartment interiors were private homes: walk the parkway, not the stairs.

East 149th Street and Third Avenue, the Bronx
Gleason’s Gym was founded at the Hub, 149th Street and Third Avenue, in the heart of the Bronx, and has been going since 1937.
The gym left in 1974. The Hub is a crossroads of shops and subway stairs today.

130 Water Street, DUMBO, Brooklyn
Gleason’s is at 130 Water Street now, in the shadow of the Manhattan Bridge.
A working gym. Open Monday to Friday 5am to 10pm, weekends 6am to 6pm; check the rates before you go.
Stay
The Plaza on Fifth Avenue, the Culver Hotel in Culver City and the Fontainebleau in Miami Beach. None is a filming location.
768 Fifth Avenue, New York · Rates on booking · (212) 759-3000
Not a filming location: the hotel at Fifth Avenue and 59th Street, a block from the old Copa on East 60th and a short walk from the Barbizon-Plaza. Open since 1 October 1907; 282 rooms, 102 of them suites. Pictured: the Copa in 1949.
Check roomsCulver City · Rates on booking · 310-558-9400
Not a filming location: a 1924 hotel at 9400 Culver Boulevard with 46 rooms and suites and jazz in the lobby, close to the old MGM lot where the fights were shot. Pictured: the lot’s Motor Gate.
Check rooms4441 Collins Avenue, Miami Beach
Not connected to the film: Morris Lapidus’s 1954 hotel on Collins Avenue, from the Miami Beach decade when LaMotta ran his club in the town. Pictured: Collins Avenue in 1955.
Check roomsGo there
The Sony studio tour runs Monday to Friday; Gleason’s takes visitors; marketplace walks cover New York and Los Angeles film history.
10202 West Washington Boulevard, Culver City · $55 · Monday to Friday · booking required · (310) 244-8687
A two-hour guided walk round the old MGM lot, where photography began on 16 April 1979 and the fights were shot on a stage.
Book the tourDUMBO, Brooklyn · Mon–Fri 5am–10pm · Sat–Sun 6am–6pm · rates on the site
The gym that began at the Hub in the Bronx in 1937 and counts LaMotta among its fighters. Now at 130 Water Street, Brooklyn.
Opening hours and ratesManhattan
Live marketplace results for film-location walks in Greenwich Village and Midtown. Check the itinerary: none is a Raging Bull tour as such.
Live marketplace results · itineraries change
Compare toursLos Angeles
Live marketplace results for film-history tours of downtown Los Angeles and Culver City. Check the itinerary for the stops you want.
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Compare toursWhat’s on
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Take it home
An original 1980 Italian two-sheet and a French petite from our store, and the 2005 soundtrack on two CDs.
An original 1980 Italian two-sheet, 39 x 55 in, rolled, previously folded; near mint.
In stock
View posterAn original 1980 French petite, 40 x 60 cm, rolled; mint.
In stock
View posterVarious Artists · 2CD, Capitol Records, 2005
The songs and the Mascagni intermezzo from the film, on two CDs from Capitol in 2005.
Live marketplace search · listings and condition change
Find a copyDates, prices, rooms and stock change: confirm with the provider before you travel or buy. A stay or tour is described as a filming location only where the card says so.
Make the weight.
Every place and moment behind this page, with sources.
14 of 14 places · 30 of 30 Moments
Miami Beach, Florida
He retires in 1954; the family moves to Miami Beach, where he opens a nightclub.
1331 South Pacific Avenue at West 14th Street, San Pedro, Los Angeles
The older LaMotta’s Florida nightclub is shot on Pacific Avenue in San Pedro.
Cabrillo Boulevard at Palms Boulevard, Los Angeles (private home)
His Florida house is a Los Angeles house with a couple of palm trees added.
1801 South Grand Avenue at Olympic Boulevard, downtown Los Angeles
The long shots and the crowds, Scorsese’s Steadicam shot among them, are filmed at the Olympic Auditorium.
Sony Pictures Studios, 10202 West Washington Boulevard, Culver City
Photography begins on 16 April 1979 on the MGM lot in Culver City, with interiors.
The fight sequences are shot over several weeks on an MGM stage.
Early in August 1979 the production stops so De Niro can gain weight. It starts again on 3 December in the Los Angeles area.
Sources give De Niro’s gain as 40, 50, 55 or 60 pounds; most say 55.
The AP obituary of LaMotta says De Niro gained 50 pounds to play the older, heavier man.
Scorsese chooses black and white after Michael Powell, watching 8mm rehearsal footage of a fight, says the colour of the gloves looks wrong.
Pelham Parkway, the Bronx
His autobiography, Raging Bull, comes out in 1970.
The only colour in the film is a run of grainy home movies of the LaMottas, Joey, Vickie and their families.
Michael Chapman tries 16mm reversal film to imitate home movies, then hands the camera to Scorsese.
East 149th Street and Third Avenue, the Bronx
On 5 February 1943, at the Olympia in Detroit, Robinson weighs in at 144 and gives away some sixteen pounds. LaMotta wins: Robinson’s first defeat.
LaMotta fights Sugar Ray Robinson six times and wins once.
The middleweight limit is 160 pounds; welterweight is 147.
On 16 June 1949, in Detroit, he becomes middleweight champion when Marcel Cerdan cannot go on after the tenth round.
He holds the title until 14 February 1951, when he loses it to Robinson.
He fights from 1941 to 1954: 83 wins, 19 losses and 4 draws.
130 Water Street, DUMBO, Brooklyn
West 56th Street at Tenth Avenue, Hell’s Kitchen (private homes)
The production moves to New York in June 1979 for exteriors and more interiors.
Filming ends in New York in late December 1979.
The outside of the apartment is West 56th Street in Manhattan; the inside is Pelham Parkway in the Bronx.
116 East 14th Street, Manhattan
Jake spars with Joey at “Gleason’s”: really the Gramercy Gym on East 14th Street.
125 East 11th Street, Greenwich Village
The dance where Jake first sees Vickie is Webster Hall on East 11th Street.
10 East 60th Street, near Fifth Avenue
At the Copacabana, Jake’s jealousy begins to show.
Tony Dapolito Recreation Center, 1 Clarkson Street at Seventh Avenue South
Jake first meets Vickie at the open-air pool on Clarkson Street.
106 Central Park South, Manhattan
The older LaMotta rehearses his act. The movie-locations guide places it in the old Barbizon Plaza Theatre; the AFI Catalog lists the dressing room among the December scenes in Los Angeles.
The real LaMotta gives a one-night show at the Barbizon Plaza Hotel.
The film opens on 14 November 1980 in New York, Los Angeles and Toronto.
De Niro wins Best Actor and Thelma Schoonmaker Film Editing; the film has six more nominations.