
65 Liberty Street, Financial District
In the film: Chamber of Commerce Building
Serpico’s speech to city officials near the end of the film was shot in the building’s Great Hall, then hung with portraits.

New York · story 1959–1972 · shot July–August 1973
Lumet shot it backwards, so the beard could come off a little at a time. Take the razor and go back with him.
One man in the rank is facing the wrong way.
51 days · July and August 1973
The story runs from 1960 to 1971. Lumet shot it the other way round. Pacino began with long hair and a long beard, was shaved to a moustache, and finally had his hair cut and his face shaved for the opening scenes. Lumet decided each day how much more came off, and the crew kept false beards ready. Run the razor from right to left and each pass takes the story back a stretch.
Full lather. Pacino arrives with the long beard and hair of 1971, and Lumet starts at the end.
Shot in reverse: long beard and hair first, shaved to a moustache, then hair cut and clean-shaven for the start; Lumet decided daily and fake beards were kept ready. The four passes and the places in each follow the film’s story order as Phillips gives it; which day each place was shot is not recorded here.
Wikipedia: Serpico (film)NYC in Film: Serpico (1973), Mark E. Phillips’s location study

The envelope
Early on, Serpico is handed an envelope of money he never wanted. The rest of the film is him trying to give it to someone who will act on it. Hand it up.
The envelope is still in Frank’s pocket.
Bob Blair, Lewisohn Stadium: Frank tells his friend about the envelope. Bob knows an honest inspector.
NYC in Film: Serpico (1973), Mark E. Phillips’s location study
Inspector Kellogg, Suerken’s, 27 Park Place: Over a buttered lobster at Suerken’s, by City Hall, the inspector gives Frank the runaround. The restaurant closed in 1986.
NYC in Film: Serpico (1973), Mark E. Phillips’s location study
The captain, Under Hell Gate Bridge: The captain guesses Frank has talked to outside agencies and walks away.
NYC in Film: Serpico (1973), Mark E. Phillips’s location study
The Times, Grove Street newsstand: The story is in the early edition. In life it ran on 25 April 1970, and within a month the mayor had set up the Knapp Commission.
NYC in Film: Serpico (1973), Mark E. Phillips’s location studyWikipedia: Knapp Commission
The city, 65 Liberty Street: Serpico speaks in a hall of portraits. In life he testified to the Knapp Commission in October and December 1971.
NYC in Film: Serpico (1973), Mark E. Phillips’s location studyWikipedia: Frank Serpico




Convent Avenue · City College
Frank and Bob meet in a crumbling Doric amphitheatre. A few weeks after the scene was shot, the wreckers arrived.


Serpico and his friend Bob Blair meet in the worn-out stadium, and Frank tells him about the envelope of money he has been given.
The stadium opened in 1915 with 8,000 seats and hosted games, concerts and plays.
It was demolished in the autumn of 1973, a few months after this scene was shot.
The North Academic Center replaced it. In 1985 a plaza outside was rededicated as Lewisohn Plaza.
The stadium is gone. The North Academic Center stands on the site; Lewisohn Plaza outside it keeps the name.

The Commission to Investigate Alleged Police Corruption
After the Times story of 25 April 1970, Mayor John Lindsay appointed a five-member commission under Whitman Knapp on 21 May 1970. It took private testimony for over a year and opened public hearings on 18 October 1971.
Serpico testified in October and December 1971: the first New York officer to come forward and testify openly about payoffs. The final report came out in December 1972.
Appointment, members, private testimony, public hearings from 18 October 1971, final report December 1972.
Serpico’s testimony in October and December 1971; the first NYPD officer to testify openly.
Officers who accept gratuities and small payments from contractors, tow-truck operators, gamblers and the like, but do not go looking for them. The Commission found many of them, learning it from older officers.
Officers who accept gratuities and small payments from contractors, tow-truck operators, gamblers and the like, but do not go looking for them. The Commission found many of them, learning it from older officers. Officers who spend a good deal of time looking for situations they can exploit for money, such as shaking down drug dealers, and who justify it by treating their victims as undeserving of protection.

65 Liberty Street, Financial District
Serpico’s speech to city officials near the end of the film was shot in the building’s Great Hall, then hung with portraits.

New York · summer 1973
Lumet came in late, after John G. Avildsen left the picture, and had little time to choose locations. Shooting began in early July 1973 for a Christmas release.
The winter scenes were made in July: the crew stripped leaves from trees and cut back shrubs, and the cast wore winter coats with their skin made up a bluish tone. Scenes set in the 1960s were hard to place, because graffiti had spread across the city since 1970. Every street was cleared of cars too new for the period.
The NYPD let Lumet film in four working police stations. As Serpico grows more isolated the costumes grow darker, until everyone in the hearing scene is in dark tones; Lumet said he was trying to negate colour.
Avildsen’s exit, Lumet’s short notice, July start for Christmas, faked winter, graffiti, period cars, four active stations, darkening costumes.


Washington Square, Greenwich Village
Frank waits outside NYU’s building at 100 Washington Square East for Leslie, then rides her on his motorcycle along Washington Square North, past the Arch.
The Village · Rates on the hotel’s booking page
An Art Deco hotel at 103 Waverly Place, on the corner of the square where Frank waits for Leslie, and a short walk from Minetta Street. It has taken guests since 1902.
See the hotelThe people




Sidney Lumet directed; Waldo Salt and Norman Wexler wrote it from Peter Maas’s book; Dino De Laurentiis and Martin Bregman produced. Arthur Ornitz shot it and Dede Allen cut it, getting each day’s scenes straight from the set. Around Pacino: Tony Roberts, John Randolph, Jack Kehoe, Biff McGuire, Barbara Eda-Young and Cornelia Sharpe. Lumet first wanted no score; Mikis Theodorakis, newly out of prison in Greece, flew in from Paris the next day and offered a piece of his own.
It opened in New York on 5 December 1973. Pacino won the Golden Globe; Serpico went to the premiere and left before the end.
Director and writers.
Producers, Ornitz, Allen, cast, Theodorakis, 5 December 1973, the Golden Globe, Serpico at the premiere.

The real one
Born in Brooklyn on 14 April 1936, the son of immigrants from Marigliano, near Naples. He joined the NYPD on 11 September 1959, reported corruption in 1967 to no effect, and helped with the Times story of 1970. He was shot on duty on 3 February 1971, testified to the Knapp Commission that year, and retired on 15 June 1972, a month after receiving the Medal of Honor. Then he left for Europe.
His own apartment was on Perry Street in the West Village, a few streets from where Lumet filmed. It is a private home: the street only, please.
Birth, family, NYPD dates, 1967 report, the Times story, 3 February 1971, testimony, retirement and Medal of Honor, Europe.
14 places you can visit, all in New York City, and one home on Perry Street you can only walk past.
Pins mark public places; private homes are named but not pinned.
General reference · Public access · Coordinate precision: building · Not an exact scene or camera position; not a visitor route. A working public high school. See it from Pleasant Avenue and the park; the building is not open to visitors.
General reference · Public access · Coordinate precision: site · Not an exact scene or camera position; not a visitor route. A public park with basketball courts, a track and a pool. Enter from East 114th Street, as Pacino does.
General reference · Public access · Coordinate precision: site · Not an exact scene or camera position; not a visitor route. The stadium is gone. The North Academic Center stands on the site; Lewisohn Plaza outside it keeps the name.

280 Pleasant Avenue at East 116th Street, East Harlem, Manhattan
The first scene of Serpico’s career, his police academy graduation photograph, was shot behind this building.
A working public high school. See it from Pleasant Avenue and the park; the building is not open to visitors.

First Avenue to the FDR Drive, East 111th to 114th Streets, East Harlem
Serpico walks in from East 114th Street, finds two suspects on the basketball courts and calls the station from a payphone at 114th and Pleasant Avenue. The film says Brooklyn.
A public park with basketball courts, a track and a pool. Enter from East 114th Street, as Pacino does.

Convent Avenue at West 136th Street, City College of New York
Serpico and his friend Bob Blair meet in the worn-out stadium, and Frank tells him about the envelope of money he has been given.
The stadium is gone. The North Academic Center stands on the site; Lewisohn Plaza outside it keeps the name.
Stay
A 1902 hotel on Washington Square, a walk from Minetta Street.
The Village · Rates on the hotel’s booking page
An Art Deco hotel at 103 Waverly Place, on the corner of the square where Frank waits for Leslie, and a short walk from Minetta Street. It has taken guests since 1902.
See the hotelGo there
Village walking tours and tickets for the Intrepid at Pier 86.
The Village
Live marketplace results for Greenwich Village walking tours. None is built round this film; check each route for Washington Square and Minetta Street.
Live marketplace results · itineraries change
Compare toursHell’s Kitchen
Live marketplace results for the Intrepid Museum on Pier 86, where the film ends.
Live marketplace results
Compare ticketsWhat’s on
No screening is announced in New York.
No current dated events are listed. Check providers for the latest programme.
Take it home
Two originals in our poster store, the book it came from, Lumet’s own book and the score.
The original American poster, 27 × 41 in, from 1973. Very good condition, previously folded, now rolled. Also offered framed.
In stock
View posterThe Czech release poster, 11 × 16 in, from 1979, designed by Dimitrij Kadrnožka. Mint, rolled.
In stock
View posterPeter Maas
The 1973 book the film was adapted from, written with Serpico’s help after he recovered.
Find the bookSidney Lumet
Lumet on how a film gets made, from the director who shot this one in 51 days.
Find the bookMikis Theodorakis · CD, 1992
Theodorakis’s score, on a 1992 Greek CD.
Live marketplace search · listings and condition change
Find a copyDates, prices, rooms and stock change: confirm with the provider before you travel or buy. A stay or tour is described as a filming location only where the card says so.
Every place and moment behind this page, with sources.
15 of 15 places · 15 of 15 Moments
280 Pleasant Avenue at East 116th Street, East Harlem, Manhattan
Frank graduates from the police academy and poses for a photograph behind the school.
First Avenue to the FDR Drive, East 111th to 114th Streets, East Harlem
Serpico makes an arrest on the basketball courts, in a park the film calls Brooklyn.
Convent Avenue at West 136th Street, City College of New York
Frank tells Bob Blair about the envelope in an empty stadium that is weeks from demolition.
Minetta Street, off Sixth Avenue, Greenwich Village
Frank moves into a small Greenwich Village apartment on Minetta Street.
Washington Square, Greenwich Village
Frank meets Leslie outside NYU and rides her past the Arch.
The triangle of Christopher, Grove and West 4th Streets, Greenwich Village
Frank and his team read the Times on the subway stairs at Christopher Street.
Hudson Street at West 13th Street and Ninth Avenue, Meatpacking District
Undercover as a meat worker, Frank watches a bookie’s drop on Hudson Street.
Perry Street, West Village. A private home
The real Serpico lived on Perry Street; the film used Minetta Street.
Centre Street to Centre Market Place, Broome to Grand Streets, Little Italy
Frank asks his captain about the Bronx outside the old academy, beside police headquarters.
108 Avenue B at East 7th Street, East Village
In a bar meant to be in the Bronx, Frank is introduced to Al, the bagman.
65 Liberty Street, Financial District
Serpico speaks to city officials in the Great Hall at 65 Liberty Street.
Pier 86, West 46th Street and Twelfth Avenue, Hell’s Kitchen
Serpico walks to Pier 86 for a boat to Europe as the credits roll.
Grand Avenue at Park Place, Brooklyn
Frank arrives for his first day at a station house dressed as the 83rd Precinct.
Astoria Park by Hell Gate Bridge, Queens
The captain storms off and leaves Frank alone under Hell Gate Bridge.
Grand Concourse at East 161st Street, the Bronx
Crooked plainclothesmen gather in a park by Yankee Stadium.