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Al Pacino, bearded, with sunglasses pushed up into his hair, holding a telephone receiver
Al Pacino in a 1973 Paramount publicity portrait for Serpico, in the beard and long hair he started the shoot with. Paramount Pictures · Public domain
Al Pacinoas Frank Serpico · 1973

Lumet shot it backwards, so the beard could come off a little at a time. Take the razor and go back with him.

One man in the rank is facing the wrong way.

51 days · July and August 1973

Shave it backwards.

The story runs from 1960 to 1971. Lumet shot it the other way round. Pacino began with long hair and a long beard, was shaved to a moustache, and finally had his hair cut and his face shaved for the opening scenes. Lumet decided each day how much more came off, and the crew kept false beards ready. Run the razor from right to left and each pass takes the story back a stretch.

Full lather. Pacino arrives with the long beard and hair of 1971, and Lumet starts at the end.

Where we read it
Al Pacino in a hard hat and a beard between two men in a doorway
Al Pacino, centre, in a 1973 Paramount publicity still from Serpico, released without a copyright notice. Paramount Pictures · Public domain

The envelope

Up the chain.

Early on, Serpico is handed an envelope of money he never wanted. The rest of the film is him trying to give it to someone who will act on it. Hand it up.

The envelope is still in Frank’s pocket.

Where we read it
  1. A white marble Beaux-Arts building with a copper mansard roof
    The Chamber of Commerce Building, 65 Liberty Street, 2013. Beyond My Ken · CC BY-SA 4.0
    The city65 Liberty Street
  2. A small fenced park with a gate and trees
    Christopher Park, the triangle by Grove Street, 2013. Beyond My Ken · CC BY-SA 4.0
    The TimesGrove Street newsstand
  3. A steel arch bridge on stone towers over a park path
    Hell Gate Bridge from Astoria Park, 2023. Kenneth C. Zirkel · CC BY 4.0
    The captainUnder Hell Gate Bridge
  4. Inspector KelloggSuerken’s, 27 Park Place
  5. An empty stone amphitheatre with a colonnade, a college building behind
    Lewisohn Stadium in September 1973, days before demolition began and a few weeks after Lumet filmed there. Bobster1985 · CC BY 3.0
    Bob BlairLewisohn Stadium

Convent Avenue · City College

The stadium.

Frank and Bob meet in a crumbling Doric amphitheatre. A few weeks after the scene was shot, the wreckers arrived.

An empty stone amphitheatre with a colonnade, a college building behind
Lewisohn Stadium in September 1973, days before demolition began and a few weeks after Lumet filmed there. Bobster1985 · CC BY 3.0
A long modern college building on a hill
The North Academic Center, built on the stadium site, 2011. Jim.henderson · CC0

Serpico and his friend Bob Blair meet in the worn-out stadium, and Frank tells him about the envelope of money he has been given.

The stadium opened in 1915 with 8,000 seats and hosted games, concerts and plays.

It was demolished in the autumn of 1973, a few months after this scene was shot.

The North Academic Center replaced it. In 1985 a plaza outside was rededicated as Lewisohn Plaza.

The stadium is gone. The North Academic Center stands on the site; Lewisohn Plaza outside it keeps the name.

Where we read it
A young man in a lilac shirt at a table crowded with microphones, men at a panelled dais behind him
A witness before the Knapp Commission, with the commissioners at the dais behind; Bernard Gotfryd’s photograph, Library of Congress. Bernard Gotfryd (Library of Congress) · CC0

The Commission to Investigate Alleged Police Corruption

Knapp.

After the Times story of 25 April 1970, Mayor John Lindsay appointed a five-member commission under Whitman Knapp on 21 May 1970. It took private testimony for over a year and opened public hearings on 18 October 1971.

Serpico testified in October and December 1971: the first New York officer to come forward and testify openly about payoffs. The final report came out in December 1972.

Where we read it

Officers who accept gratuities and small payments from contractors, tow-truck operators, gamblers and the like, but do not go looking for them. The Commission found many of them, learning it from older officers.

Where we read it
  • Officers who accept gratuities and small payments from contractors, tow-truck operators, gamblers and the like, but do not go looking for them. The Commission found many of them, learning it from older officers. Officers who spend a good deal of time looking for situations they can exploit for money, such as shaking down drug dealers, and who justify it by treating their victims as undeserving of protection.

A white marble Beaux-Arts building with a copper mansard roof
The Chamber of Commerce Building, 65 Liberty Street, 2013. Beyond My Ken · CC BY-SA 4.0

65 Liberty Street, Financial District

In the film: Chamber of Commerce Building

Serpico’s speech to city officials near the end of the film was shot in the building’s Great Hall, then hung with portraits.

Where we read it
A yellow cab, a moped and lorries on a hazy Manhattan avenue
Sixth Avenue at 32nd Street in August 1973, while Lumet was shooting across town. Dan McCoy (EPA Documerica) · Public domain

New York · summer 1973

104 places in 51 days.

  1. 104Locations, for 107 speaking parts
  2. 51Shooting days, on budget
  3. 35Set-ups in a day, at most
  4. 3Moves a day, on average

Lumet came in late, after John G. Avildsen left the picture, and had little time to choose locations. Shooting began in early July 1973 for a Christmas release.

The winter scenes were made in July: the crew stripped leaves from trees and cut back shrubs, and the cast wore winter coats with their skin made up a bluish tone. Scenes set in the 1960s were hard to place, because graffiti had spread across the city since 1970. Every street was cleared of cars too new for the period.

The NYPD let Lumet film in four working police stations. As Serpico grows more isolated the costumes grow darker, until everyone in the hearing scene is in dark tones; Lumet said he was trying to negate colour.

Where we read it
  • Avildsen’s exit, Lumet’s short notice, July start for Christmas, faked winter, graffiti, period cars, four active stations, darkening costumes.

Sidney Lumet in glasses, mid-conversation
Sidney Lumet in a 1970 publicity photograph, three years before he made Serpico. Maron Films (photographer unknown) · Public domain
A couple embracing by railings under trees in a park
Washington Square, May 1973, two months before the shoot. Erik Calonius (EPA Documerica) · Public domain

Washington Square, Greenwich Village

Washington Square Park

Frank waits outside NYU’s building at 100 Washington Square East for Leslie, then rides her on his motorcycle along Washington Square North, past the Arch.

Where we read it
Washington Square Hotel

Washington Square Hotel

The Village · Rates on the hotel’s booking page

An Art Deco hotel at 103 Waverly Place, on the corner of the square where Frank waits for Leslie, and a short walk from Minetta Street. It has taken guests since 1902.

See the hotel

The people

Who made it.

  • Al Pacino, bearded, with sunglasses pushed up into his hair, holding a telephone receiver
    Al Pacino in a 1973 Paramount publicity portrait for Serpico, in the beard and long hair he started the shoot with. Paramount Pictures · Public domain
    Al PacinoFrank Serpico · 1973
  • Sidney Lumet in glasses, mid-conversation
    Sidney Lumet in a 1970 publicity photograph, three years before he made Serpico. Maron Films (photographer unknown) · Public domain
    Sidney LumetDirector · 1970
  • Mikis Theodorakis, curly-haired, at an airport
    Mikis Theodorakis arriving in Helsinki on his world tour, February 1972, the year before he wrote the Serpico theme. Hugo Sundström · CC BY 4.0
    Mikis TheodorakisMusic · 1972
  • Frank Serpico, white-bearded, in a cap
    The real Frank Serpico in 2013. No free photograph of him from the early 1970s has turned up, so this later one stands in. Joeyjojo86 · CC BY-SA 3.0
    Frank SerpicoHimself · 2013

Sidney Lumet directed; Waldo Salt and Norman Wexler wrote it from Peter Maas’s book; Dino De Laurentiis and Martin Bregman produced. Arthur Ornitz shot it and Dede Allen cut it, getting each day’s scenes straight from the set. Around Pacino: Tony Roberts, John Randolph, Jack Kehoe, Biff McGuire, Barbara Eda-Young and Cornelia Sharpe. Lumet first wanted no score; Mikis Theodorakis, newly out of prison in Greece, flew in from Paris the next day and offered a piece of his own.

It opened in New York on 5 December 1973. Pacino won the Golden Globe; Serpico went to the premiere and left before the end.

Where we read it
A tree-lined Village street of brick houses and stoops
Perry Street, Greenwich Village, 2018: the street only. Spencer Means · CC BY-SA 2.0

The real one

Frank Serpico

Born in Brooklyn on 14 April 1936, the son of immigrants from Marigliano, near Naples. He joined the NYPD on 11 September 1959, reported corruption in 1967 to no effect, and helped with the Times story of 1970. He was shot on duty on 3 February 1971, testified to the Knapp Commission that year, and retired on 15 June 1972, a month after receiving the Medal of Honor. Then he left for Europe.

His own apartment was on Perry Street in the West Village, a few streets from where Lumet filmed. It is a private home: the street only, please.

Where we read it
  • Birth, family, NYPD dates, 1967 report, the Times story, 3 February 1971, testimony, retirement and Medal of Honor, Europe.

Where we read it

Go there.

Where it is now

14 places you can visit, all in New York City, and one home on Perry Street you can only walk past.

Pins mark public places; private homes are named but not pinned.

  • General reference · Public access · Coordinate precision: building · Not an exact scene or camera position; not a visitor route. A working public high school. See it from Pleasant Avenue and the park; the building is not open to visitors.

  • General reference · Public access · Coordinate precision: site · Not an exact scene or camera position; not a visitor route. A public park with basketball courts, a track and a pool. Enter from East 114th Street, as Pacino does.

  • General reference · Public access · Coordinate precision: site · Not an exact scene or camera position; not a visitor route. The stadium is gone. The North Academic Center stands on the site; Lewisohn Plaza outside it keeps the name.

  1. A large brick school with a clock tower behind railings
    The Manhattan Center for Science and Mathematics on Pleasant Avenue, 2022. Deansfa · CC BY-SA 4.0

    280 Pleasant Avenue at East 116th Street, East Harlem, Manhattan

    Manhattan Center for Science and Mathematics

    The first scene of Serpico’s career, his police academy graduation photograph, was shot behind this building.

    A working public high school. See it from Pleasant Avenue and the park; the building is not open to visitors.

    Where we read it
  2. A park path between bare trees and playing fields
    Thomas Jefferson Park, East Harlem, 2022. Deansfa · CC BY-SA 4.0

    First Avenue to the FDR Drive, East 111th to 114th Streets, East Harlem

    Thomas Jefferson Park

    Serpico walks in from East 114th Street, finds two suspects on the basketball courts and calls the station from a payphone at 114th and Pleasant Avenue. The film says Brooklyn.

    A public park with basketball courts, a track and a pool. Enter from East 114th Street, as Pacino does.

    Where we read it
  3. An empty stone amphitheatre with a colonnade, a college building behind
    Lewisohn Stadium in September 1973, days before demolition began and a few weeks after Lumet filmed there. Bobster1985 · CC BY 3.0

    Convent Avenue at West 136th Street, City College of New York

    Lewisohn Stadium site

    Serpico and his friend Bob Blair meet in the worn-out stadium, and Frank tells him about the envelope of money he has been given.

    The stadium is gone. The North Academic Center stands on the site; Lewisohn Plaza outside it keeps the name.

    Where we read it

Stay

On the square.

A 1902 hotel on Washington Square, a walk from Minetta Street.

Washington Square Hotel

Washington Square Hotel

The Village · Rates on the hotel’s booking page

An Art Deco hotel at 103 Waverly Place, on the corner of the square where Frank waits for Leslie, and a short walk from Minetta Street. It has taken guests since 1902.

See the hotel

Go there

On foot and on the pier.

Village walking tours and tickets for the Intrepid at Pier 86.

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Greenwich Village on foot

The Village

Live marketplace results for Greenwich Village walking tours. None is built round this film; check each route for Washington Square and Minetta Street.

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Intrepid Museum tickets

Hell’s Kitchen

Live marketplace results for the Intrepid Museum on Pier 86, where the film ends.

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What’s on

Nothing listed.

No screening is announced in New York.

No current dated events are listed. Check providers for the latest programme.

Take it home

The 1973 poster.

Two originals in our poster store, the book it came from, Lumet’s own book and the score.

Printed Originals · Our poster store

Serpico (1973) — US one-sheet

The original American poster, 27 × 41 in, from 1973. Very good condition, previously folded, now rolled. Also offered framed.

In stock

View poster
Printed Originals · Our poster store

Serpico (1979) — Czech A3

The Czech release poster, 11 × 16 in, from 1979, designed by Dimitrij Kadrnožka. Mint, rolled.

In stock

View poster
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Serpico

Peter Maas

The 1973 book the film was adapted from, written with Serpico’s help after he recovered.

Find the book
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Making Movies

Sidney Lumet

Lumet on how a film gets made, from the director who shot this one in 51 days.

Find the book
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Serpico

Mikis Theodorakis · CD, 1992

Theodorakis’s score, on a 1992 Greek CD.

Live marketplace search · listings and condition change

Find a copy

Dates, prices, rooms and stock change: confirm with the provider before you travel or buy. A stay or tour is described as a filming location only where the card says so.

Precinct log

Every place and moment behind this page, with sources.

15 of 15 places · 15 of 15 Moments

  • Manhattan Center for Science and Mathematics

    280 Pleasant Avenue at East 116th Street, East Harlem, Manhattan

    • Graduation

      Frank graduates from the police academy and poses for a photograph behind the school.

  • Thomas Jefferson Park

    First Avenue to the FDR Drive, East 111th to 114th Streets, East Harlem

    • The courts

      Serpico makes an arrest on the basketball courts, in a park the film calls Brooklyn.

  • Lewisohn Stadium site

    Convent Avenue at West 136th Street, City College of New York

    • The stadium

      Frank tells Bob Blair about the envelope in an empty stadium that is weeks from demolition.

  • Minetta Street

    Minetta Street, off Sixth Avenue, Greenwich Village

    • The Village

      Frank moves into a small Greenwich Village apartment on Minetta Street.

  • Washington Square Park

    Washington Square, Greenwich Village

    • Washington Square

      Frank meets Leslie outside NYU and rides her past the Arch.

  • Christopher Park and Grove Street

    The triangle of Christopher, Grove and West 4th Streets, Greenwich Village

    • The early edition

      Frank and his team read the Times on the subway stairs at Christopher Street.

  • 675 Hudson Street

    Hudson Street at West 13th Street and Ninth Avenue, Meatpacking District

    • Stakeout

      Undercover as a meat worker, Frank watches a bookie’s drop on Hudson Street.

  • Perry Street

    Perry Street, West Village. A private home

    • The real home

      The real Serpico lived on Perry Street; the film used Minetta Street.

  • 240 Centre Street

    Centre Street to Centre Market Place, Broome to Grand Streets, Little Italy

    • Headquarters

      Frank asks his captain about the Bronx outside the old academy, beside police headquarters.

  • The Horseshoe Bar (7B)

    108 Avenue B at East 7th Street, East Village

    • The bagman

      In a bar meant to be in the Bronx, Frank is introduced to Al, the bagman.

  • Chamber of Commerce Building

    65 Liberty Street, Financial District

    • The speech

      Serpico speaks to city officials in the Great Hall at 65 Liberty Street.

  • Pier 86 and the Intrepid Museum

    Pier 86, West 46th Street and Twelfth Avenue, Hell’s Kitchen

    • The boat

      Serpico walks to Pier 86 for a boat to Europe as the credits roll.

  • Former 80th Precinct station house

    Grand Avenue at Park Place, Brooklyn

    • First precinct

      Frank arrives for his first day at a station house dressed as the 83rd Precinct.

  • Astoria Park, under Hell Gate Bridge

    Astoria Park by Hell Gate Bridge, Queens

    • Under the bridge

      The captain storms off and leaves Frank alone under Hell Gate Bridge.

  • Joyce Kilmer Park

    Grand Concourse at East 161st Street, the Bronx

    • The Bronx

      Crooked plainclothesmen gather in a park by Yankee Stadium.

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