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Charles Durning in a patterned shirt, mid-sentence
Charles Durning, who played Sergeant Moretti, in a CBS publicity photograph from October 1975. CBS Television · Public domain
Charles DurningSgt Moretti · 1975
Al Pacino in an army cap, looking straight at the camera
Al Pacino in 1977, two years after the film, in a publicity photograph for The Basic Training of Pavlo Hummel. Theater Company of Boston · Public domain
Al PacinoSonny · 1977
285 Prospect Park West the film’s bank, 1974450 Avenue P the real bank, 1972

Two banks, one subway line. The real one was robbed on Avenue P; the film’s was a set on Prospect Park West, built so its walls came out.

The set is closed.

A former automotive workshop · Prospect Park West

Pull the walls.

The bank in the film is a set, built inside an old workshop on the block it was meant to stand on. Its walls came out, so the camera could go anywhere and the street could come straight in. Pull them out here, one side at a time, and see what lies that way: the avenue in front, the neighbourhood to the north, and to the south, down the F line, the bank that was really robbed.

All four walls up. You are inside the bank.

Where we read it
  • The set was built in a warehouse on the lower floor of a former automotive workshop; movable walls let the crew place cameras freely, and its street location let them move between bank and street. Which places lie behind which wall is this page’s own arrangement, by compass direction from the block.

Four walls up. Nothing but the bank.

450 Avenue P · Gravesend · 22 August 1972

The real bank.

A low white bank building on a Brooklyn street corner, with a 1970s car parked outside
The Chase Manhattan branch at 450 Avenue P in 1975, three years after the robbery, photographed by Larry Fendrick, who saw the original event. Larry Fendrick · CC BY 2.5
A tall cream condominium building on a street corner under a blue sky
Avenue P at East Third Street in 2012, looking across the corner from the old bank. Jim Henderson · CC0

450 Avenue P

On 22 August 1972 John Wojtowicz, Salvatore Naturile and Robert Westenberg tried to rob the Chase Manhattan branch here.

They expected $150,000 to $200,000 from an armoured truck due at 3:30pm. It had already been at 11am. They got $29,000.

Seven employees were held hostage for fourteen hours, and the siege went out live on television and radio.

The demands included pizza for the bank and a jet at Kennedy Airport.

The branch has since closed.

Wojtowicz had seen The Godfather that morning and based some of his plan on it. Life told the story on 22 September 1972, in a piece by P. F. Kluge and Thomas Moore called “The Boys in the Bank”; the film grew from it.

The branch has closed. Look at the corner from the pavement; the building is private.

Where we read it
Where we read it

They expected the afternoon delivery. Open the drawer.

The time-and-temperature sign

87 and 40.

The film is set on a hot August afternoon. It was shot in the autumn, mostly at night.

The day of the real robbery reached 87°F, 31°C.

The robbers had planned for an armoured truck at 3:30pm. It had come at 11am.

Where we read it
  • The day of the real robbery reached 87°F, 31°C. The robbers had planned for an armoured truck at 3:30pm. It had come at 11am. Lumet shot between September and November 1974. The bank scenes took seven nights, and the temperature kept falling. The last bank scene began on a windy night of 40°F, 4°C. To stop their breath showing in a film set in August, the cast held ice in their mouths. The shoot finished three weeks ahead of schedule.

Gravesend87°31°C
Sidney Lumet in heavy glasses and a roll-neck sweater
Sidney Lumet in a 1970 publicity photograph. Photographer unknown; distributed by Maron Films · Public domain

Sidney Lumet directed. He chose to have no score. The opening has Elton John’s Amoreena, coming from the getaway car’s radio. Victor J. Kemper shot it.

Where we read it
  • No score by Lumet’s choice; Amoreena on the car radio in the opening; Victor J. Kemper, director of photography.

SoHo and Midtown

Across the river.

Before the bank there was the movement: Wojtowicz went to the Gay Activists Alliance’s meetings in a SoHo firehouse. Half a century later the story went to Broadway.

A narrow red-brick former firehouse with red doors between taller buildings
99 Wooster Street in 2013: the 1881 firehouse that was the Gay Activists Alliance’s headquarters from 1971 to 1974. Beyond My Ken · CC BY-SA 4.0

99 Wooster Street, SoHo, Manhattan

The Firehouse, 99 Wooster Street

From 1971 to 1974 the old firehouse was the headquarters of the Gay Activists Alliance, New York’s most important LGBT community centre of those years.

Wojtowicz was a member of the Alliance, under the name Littlejohn Basso.

A fire wrecked the interior in October 1974. The building became a New York City landmark in June 2019.

A landmark building between Spring and Prince Streets. See it from Wooster Street.

Where we read it
A theatre auditorium full of people, a bank front lit on the stage beyond
The August Wilson Theatre during Dog Day Afternoon in March 2026, the audience in front of the stage bank. Epicgenius · CC BY-SA 4.0

245 West 52nd Street, Manhattan

August Wilson Theatre

Stephen Adly Guirgis’s play of the film opened here on 30 March 2026, directed by Rupert Goold, with Jon Bernthal as Sonny Amato and Ebon Moss-Bachrach as Sal DeSilva. It closed on 12 July.

The theatre opened in 1925 as the Guild Theatre and took August Wilson’s name in 2005.

A working Broadway theatre. The play closed in July 2026.

Where we read it
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An aerial view of a long beach and the bay below an aircraft wing, hazy blue light
Coming in to land at Kennedy Airport in 1969, three years before the robbery, ten miles out over Jamaica Bay. Phillip Capper · CC BY 2.0
A runway seen from the air reaching out into grey water
Runway 23R at Kennedy Airport running out into Jamaica Bay. Joe Mabel · CC BY-SA 3.0

Queens · Jamaica Bay

Kennedy.

The demands ended with a jet. The limousine went to Kennedy Airport, and so did the film, for one day.

The airport scenes were shot in a part of the airport away from the terminals, lent to the production for one day.

In 1972 the night ended here: Wojtowicz was arrested at the airport, and Naturile did not survive it.

The TWA Hotel, in the 1962 TWA Flight Center, is the only hotel on the airport; its rooftop pool looks over the busiest runway.

The terminals are public; the airfield is not. The TWA Hotel’s rooftop pool looks over a runway.

Where we read it
TWA Hotel

TWA Hotel, Kennedy Airport

Kennedy Airport · Overnight and day stays

The only hotel on the airport, inside the 1962 TWA Flight Center. Its rooftop infinity pool is open all year and looks over the busiest runway. Day stays are offered for long layovers.

See the hotel

The people

Who made it.

  • Al Pacino, bearded, with sunglasses pushed up into his hair, holding a phone
    Al Pacino in a 1973 publicity portrait for Serpico, the year before Lumet directed him again here. Paramount Pictures · Public domain
    Al PacinoSonny · 1973
  • Al Pacino in an army cap, looking straight at the camera
    Al Pacino in 1977, two years after the film, in a publicity photograph for The Basic Training of Pavlo Hummel. Theater Company of Boston · Public domain
    Al PacinoSonny · 1977
  • Charles Durning in a patterned shirt, mid-sentence
    Charles Durning, who played Sergeant Moretti, in a CBS publicity photograph from October 1975. CBS Television · Public domain
    Charles DurningSgt Moretti · 1975
  • Sidney Lumet in heavy glasses and a roll-neck sweater
    Sidney Lumet in a 1970 publicity photograph. Photographer unknown; distributed by Maron Films · Public domain
    Sidney LumetDirector · 1970

Al Pacino played Sonny Wortzik, based on John Wojtowicz. John Cazale played Sal; he and Pacino had worked together on The Godfather and on the play The Indian Wants the Bronx. We have found no photograph of Cazale free to show here. Around them: Charles Durning as Sergeant Moretti, Chris Sarandon as Leon, James Broderick as the FBI’s Sheldon, Lance Henriksen as Murphy, Penelope Allen, Carol Kane and Sully Boyar inside the bank. Frank Pierson wrote it and Dede Allen cut it.

  1. 3 weeksOf rehearsals before the shoot
  2. 7 nightsFor the bank scenes
  3. 6Academy Award nominations
  4. 1Win: Frank Pierson’s screenplay

It opened in New York on 21 September 1975, the day after its premiere at San Sebastián, and joined the National Film Registry in 2009.

Where we read it
  • Cast and roles, Pacino and Cazale in The Godfather and The Indian Wants the Bronx, Pierson and Allen, three weeks of rehearsals, seven nights for the bank scenes, six Academy Award nominations and Pierson’s win, the San Sebastián premiere on 20 September and New York opening on 21 September 1975, the National Film Registry in 2009.

Go there.

Where it is now

9 places you can visit, all in New York City, most of them a walk from an F train.

Pins mark public places; private homes are named but not pinned.

  • General reference · Public access · Coordinate precision: building · Not an exact scene or camera position; not a visitor route. A residential block facing the park. Stand on the park side of the avenue and look across; the buildings are private.

  • General reference · Public access · Coordinate precision: building · Not an exact scene or camera position; not a visitor route. A parish church on the corner of Prospect Avenue, a short walk north of the bank block.

  • General reference · Public access · Coordinate precision: building · Not an exact scene or camera position; not a visitor route. A working bar, open daily from 10am to 3am.

  • General reference · Public access · Coordinate precision: site · Not an exact scene or camera position; not a visitor route. A public circle at the park gate. The Greenmarket runs here every Wednesday, 8am to 2pm.

  • General reference · Public access · Coordinate precision: building · Not an exact scene or camera position; not a visitor route. The F and G stop for the set. Take the F south to Avenue P for the real bank.

  1. A sunken expressway with traffic, seen from a bridge, trees on both banks
    The view west from Prospect Park West where it crosses the Prospect Expressway, a few steps south of the film’s bank block. Jim Henderson · Public domain

    Prospect Park West between 17th and 18th Streets, Windsor Terrace, Brooklyn

    285 Prospect Park West

    Lumet shot the street scenes on Prospect Park West between 17th and 18th Streets.

    A residential block facing the park. Stand on the park side of the avenue and look across; the buildings are private.

    Where we read it
  2. A red-brick church with a square tower and a pointed window
    Holy Name of Jesus Church at Prospect Park West and Prospect Avenue, two blocks north of the set. Jim Henderson · CC0

    245 Prospect Park West at Prospect Avenue, Brooklyn

    Holy Name of Jesus Church

    Holy Name of Jesus Church was built in 1874 and its school in 1923; both stand on Prospect Park West.

    A parish church on the corner of Prospect Avenue, a short walk north of the bank block.

    Where we read it
  3. A corner bar with a red frontage and a projecting sign reading Farrell’s Bar and Grill
    Farrell’s Bar & Grill at Prospect Park West and 16th Street in 2025. Veggiegalaxy · CC BY-SA 4.0

    Prospect Park West at 16th Street, Brooklyn

    Farrell’s Bar & Grill

    Farrell’s has had three owners since 1933 and is said to have been one of the first bars in New York to get a licence after Prohibition.

    A working bar, open daily from 10am to 3am.

    Where we read it
  4. Two tall white columns topped with bronze bowls at a park entrance in winter
    Stanford White’s columns at the Bartel-Pritchard Square entrance to Prospect Park. Beyond My Ken · CC BY-SA 4.0

    Prospect Park West, 15th Street and Prospect Park Southwest, Brooklyn

    Bartel-Pritchard Square

    The circle is named for Emil Bartel and William Pritchard, local men killed in the First World War, and was dedicated in 1922.

    A public circle at the park gate. The Greenmarket runs here every Wednesday, 8am to 2pm.

    Where we read it
  5. A green subway entrance set into a pavement beside apartment blocks and a bus
    The 15th Street–Prospect Park station entrance on Prospect Park West. Jim Henderson · Public domain

    Prospect Park West at 15th Street, Brooklyn

    15th Street–Prospect Park station

    The station is on the Culver Line, served by the F and G trains, and opened on 7 October 1933.

    The F and G stop for the set. Take the F south to Avenue P for the real bank.

    Where we read it

Stay

On the runway.

The only hotel on Kennedy Airport, in the 1962 TWA Flight Center.

TWA Hotel

TWA Hotel, Kennedy Airport

Kennedy Airport · Overnight and day stays

The only hotel on the airport, inside the 1962 TWA Flight Center. Its rooftop infinity pool is open all year and looks over the busiest runway. Day stays are offered for long layovers.

See the hotel

Go there

On foot.

Walking tours of Brooklyn and film-location tours of New York.

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What’s on

Wednesday morning.

The year-round Greenmarket at the park gate on Prospect Park West.

Checking current event dates…

Take it home

The 1975 posters.

Three originals from 1975 in our poster store: two American one-sheets and the French grande.

Printed Originals · Our poster store

Dog Day Afternoon (1975) — US one-sheet

The original American poster, 27 × 41 in, from 1975. Near mint, previously folded, now rolled. Also offered framed.

In stock

View poster
Printed Originals · Our poster store

Dog Day Afternoon (1975) — US one-sheet, the clock design

The other 1975 American one-sheet, 27 × 41 in, built round the hours of the siege. Near mint, previously folded, now rolled.

In stock

View poster
Printed Originals · Our poster store

Un après-midi de chien (1975) — French grande

The French poster, 47 × 63 in, from 1975. Near mint, previously folded, now rolled.

In stock

View poster

Dates, prices, rooms and stock change: confirm with the provider before you travel or buy. A stay or tour is described as a filming location only where the card says so.

Precinct log

Every place and moment behind this page, with sources.

10 of 10 places · 11 of 11 Moments

  • 285 Prospect Park West

    Prospect Park West between 17th and 18th Streets, Windsor Terrace, Brooklyn

    • The street

      Lumet shoots the crowd, the police and the bank front on Prospect Park West between 17th and 18th Streets.

    • Attica

      Sonny’s shouting match with the police ends with him calling out “Attica!” to cheers from the crowd.

  • Holy Name of Jesus Church

    245 Prospect Park West at Prospect Avenue, Brooklyn

    • Up the avenue

      The parish church stands on Prospect Park West, near the filming locations.

  • Farrell’s Bar & Grill

    Prospect Park West at 16th Street, Brooklyn

    • The corner bar

      Farrell’s has poured on Prospect Park West, near the filming locations, since 1933.

  • Bartel-Pritchard Square

    Prospect Park West, 15th Street and Prospect Park Southwest, Brooklyn

    • The park gate

      Bartel-Pritchard Square, at the park entrance, is the north end of the neighbourhood.

  • 15th Street–Prospect Park station

    Prospect Park West at 15th Street, Brooklyn

    • The F

      The F and G stop at 15th Street–Prospect Park, under the park wall.

  • Avenue P station

    Avenue P at McDonald Avenue, Brooklyn

    • The nearest stop

      The F stops at Avenue P, on the elevated Culver Line, at all times.

  • 450 Avenue P

    Avenue P at East 3rd Street, Gravesend, Brooklyn

    • The real bank

      Wojtowicz, Naturile and Westenberg try to rob the Chase branch on Avenue P; seven employees are held for fourteen hours.

  • The Firehouse, 99 Wooster Street

    99 Wooster Street, SoHo, Manhattan

    • The Firehouse

      Wojtowicz is a member of the Gay Activists Alliance, whose headquarters is the Firehouse in SoHo.

  • August Wilson Theatre

    245 West 52nd Street, Manhattan

    • On Broadway

      Stephen Adly Guirgis’s play of the film runs from March to July 2026.

  • Kennedy Airport

    John F. Kennedy International Airport, Queens

    • Kennedy

      The airport scenes are shot away from the terminals, on ground lent to the production for one day.

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