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Christopher Nolan smiling, in a dark jacket, outdoors
By 2005. Peter Andersen · Public domain
Christopher Nolan writer, director · by 2005
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MEMENTO

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2000. Black and white runs forwards, colour runs backwards, and they meet at a motel in Tujunga. The motel is real, and so is the road it stands on.

Guy Pearce looking down, in a black T-shirt
Toronto, September 2007. gdcgraphics (Flickr) · CC BY 2.0
Guy Pearce Leonard Shelby · pictured 2007
A linen postcard of a two-storey furniture shop with big windows on Foothill Boulevard
Foothill Boulevard in Tujunga on a linen postcard, c. 1930–45: number 7220, on the same block as the motel at 7254. Tichnor Brothers, publisher (Boston Public Library, Tichnor Brothers collection) · Public domain

7254 Foothill Boulevard at Hillhaven Avenue, Tujunga

The Discount Inn.

The Travel Inn plays the Discount Inn, the motel where Leonard holes up. There is no real Discount Inn.

It was repainted for the film and used for Leonard’s and Dodd’s rooms as well as the front of the Discount Inn.

Burt, the clerk, has Leonard paying for two rooms at once, 21 and 304.

A roadside motel building on Foothill Boulevard. Look from the pavement; Film Oblivion found the area run down and advises care.

Where we read it

Two rooms.

Burt rents Leonard two rooms at once. Tap what differs between them.

Found 0 of 3 differences.

Room 21 Leonard’s first room, mostly in black and white.
Room 304 The second room Burt rents him.
  • · · ·
  • · · ·
  • · · ·

Drawn for this page, not to scale. The Interiors analysis says only that Room 21 has two beds and Room 304 one, and that their wall lights and headboards are slightly different.

Where we read it

Forwards and backwards

The meeting point.

The film’s black-and-white scenes run in order and its colour scenes run in reverse; Andy Klein numbered them 1 to 22 and A to V, and the film ends where 22 turns into A. Here the making runs forwards in grey, the film’s life runs backwards in colour, and one button moves both.

Where we read it
  • Black-and-white scenes run forwards, colour scenes backwards; Andy Klein numbers them 1–22 and A–V, and the film ends as 22 becomes A.

Both strands are waiting: 7 cards each.

Black and white · the making · forwards →

    Starts July 1996, on a road trip.

    7 steps to the meeting point

    ← Colour · the film’s life · backwards

      Starts on Oscar night, 2002.

      Tujunga · Sunland

      Foothill Boulevard, by number.

      Most of the film’s Valley is one road under the San Gabriel Mountains. The motel and the Sunland pair are 2.2 km apart; the postcards show the motel’s block before the war.

      7254 Foothill Boulevard: The Travel Inn: the Discount Inn.

      A linen postcard of a two-storey furniture shop with big windows on Foothill Boulevard
      Foothill Boulevard in Tujunga on a linen postcard, c. 1930–45: number 7220, on the same block as the motel at 7254. Tichnor Brothers, publisher (Boston Public Library, Tichnor Brothers collection) · Public domain

      7254 Foothill Boulevard · The Travel Inn, Tujunga

      The Travel Inn: the Discount Inn

      The Travel Inn plays the Discount Inn, the motel where Leonard holes up. There is no real Discount Inn.

      It was repainted for the film and used for Leonard’s and Dodd’s rooms as well as the front of the Discount Inn.

      Burt, the clerk, has Leonard paying for two rooms at once, 21 and 304.

      A roadside motel building on Foothill Boulevard. Look from the pavement; Film Oblivion found the area run down and advises care.

      Where we read it

      Burbank · North Hills · Altadena

      Burbank and the Valley.

      A brick bar front with a blue neon sign reading The Blue Room
      The Blue Room in August 2006, its neon sign over the pavement; the photographer notes it is seen in Memento. Gareth Simpson (Xurble) · CC BY 2.0

      916 South San Fernando Boulevard at Alameda Avenue, Burbank

      Ferdy’s Bar is still a bar.

      The Blue Room plays Ferdy’s Bar, where Natalie works.

      Natalie serves Leonard a beer she has spat in, to see whether he will remember.

      It is still a bar, with turquoise booths and an old jukebox.

      A working neighbourhood bar in downtown Burbank. Ring (323) 849-2779 before you go.

      Where we read it
      Hotel Amarano

      Hotel Amarano Burbank-Hollywood

      322 North Pass Avenue, Burbank

      A AAA Four Diamond hotel round the corner from Warner Bros. Studios, with a pool, the FYC Bar + Kitchen and valet parking in an underground garage ($50 a night). A short drive to the Blue Room and up to Foothill Boulevard. The photograph is San Fernando Road nearby, not the hotel.

      See the hotel
      • A street corner on Magnolia Boulevard with traffic lights and shops
        Magnolia Boulevard in Burbank, July 2021: the street, not the house, which is private. Busition · CC BY-SA 4.0

        East Magnolia Boulevard, Burbank · private, not mapped

        Natalie’s house

        Natalie’s house was in Burbank.

        Here Natalie talks Leonard into believing that Dodd has hurt her. The house has since been renovated a little.

        A private home. It is named here and not mapped; please leave the people who live there alone.

        Where we read it
      • A wide crossing on Sepulveda Boulevard under a blue sky
        Sepulveda Boulevard at Plummer Street, North Hills, March 2017: about 750 metres north of the motel. Christopher Aragón · CC BY-SA 4.0

        9111 Sepulveda Boulevard, North Hills

        The Hill Crest Inn, North Hills

        It plays the Mountcrest Inn, where Leonard catches up with Dodd.

        OpenStreetMap still names it the Hill Crest Inn.

        A motel on Sepulveda Boulevard. See the front from the street.

        Where we read it
      • A planted verge with an Altadena Golf Course sign beside a quiet road
        Altadena in September 2025, by the golf course a few hundred metres from Highland Avenue; a crop from a Mapillary street panorama. The houses used in the film are private and are not shown. uwrapid (Mapillary) · CC BY-SA 4.0

        Highland Avenue, Altadena · private, not mapped

        Highland Avenue, Altadena

        Sammy Jankis’s house was a suburban home near Pasadena.

        Two neighbouring houses on Highland Avenue in Altadena played Sammy’s home and Leonard’s old home. Both were still standing after the wildfires that destroyed many houses around them.

        Two private homes on a residential street. Named, not mapped.

        Where we read it

      The location they could not use

      The carriages.

      The plan had been a Spanish-style brick warehouse owned by a train company, until dozens of carriages were parked outside it. An oil refinery near Long Beach was used instead.

      The refinery gave the film its first and last scenes, and the place where Leonard burns his wife’s things.

      The refinery has since been demolished.

      The refinery is gone. South Main Street runs past where it stood.

      Where we read it
      A flat horizon of low buildings and a tall electricity pylon at dusk
      Carson in June 2014: an honest view of the town, about three kilometres south of the refinery site, which is gone. Clotee Pridgen Alloc… (Panoramio) · CC BY-SA 3.0

      As themselves

      Who was there.

      Carrie-Anne Moss a fortnight before filming began, and Christopher Nolan a few years on. No free photographs of the others from 1999 or 2000 have turned up, so each says when it was taken.

      • Carrie-Anne Moss in profile, talking into a microphone
        Carrie-Anne Moss in August 1999, a fortnight before filming began. Tobler56 · Public domain
        Carrie-Anne MossNatalie · pictured 1999
      • Christopher Nolan smiling, in a dark jacket, outdoors
        Christopher Nolan, photographed by 2005 (uploaded to Wikimedia Commons in September 2005). Peter Andersen · Public domain
        Christopher NolanWriter and director · pictured 2005
      • Guy Pearce looking down, in a black T-shirt
        Guy Pearce at the Toronto International Film Festival in September 2007, seven years after the film; no free photograph of him from 1999–2001 has been found. gdcgraphics (Flickr) · CC BY 2.0
        Guy PearceLeonard Shelby · pictured 2007
      • Joe Pantoliano in a pale hat and linen jacket
        Joe Pantoliano in New York during Fleet Week, May 2005; no free photograph of him from 1999–2001 has been found. U.S. Navy photo by Photographer’s Mate Airman Anthony Riddle · Public domain
        Joe PantolianoTeddy · pictured 2005
      • Stephen Tobolowsky in glasses, smiling
        Stephen Tobolowsky at the Texas Book Festival in October 2012; no free photograph of him from 1999–2001 has been found. Larry D. Moore · CC BY 4.0
        Stephen TobolowskySammy Jankis · pictured 2012
      1. 25Days of shooting
      2. $4.5mNewmarket’s budget
      3. 22 + 22Black-and-white and colour sequences
      4. $40mTaken worldwide
      Where we read it
      • A 25-day shoot from 7 September to 8 October 1999 on a $4.5 million budget; about $40 million worldwide; 22 black-and-white and 22 colour sequences.

      6801 Hollywood Boulevard, Hollywood

      Oscar night

      The 74th Academy Awards were held here on 24 March 2002, the theatre’s first Oscars.

      Memento was nominated for its original screenplay (Christopher and Jonathan Nolan) and for Dody Dorn’s editing. Gosford Park and Black Hawk Down won.

      It opened on 9 November 2001 as the Kodak Theatre and has been the Dolby Theatre since 1 May 2012.

      Where we read it
      The grand staircase and lit atrium of the Kodak Theatre at night
      The Kodak Theatre at night in October 2008, when it still had that name; it has been the Dolby Theatre since 2012. Ken Lund · CC BY-SA 2.0

      The places don’t forget.

      Where it is now

      11 places you can visit or see from the street, from Foothill Boulevard to Venice; two private homes are named but not mapped.

      Pins mark public places; private homes are named but not pinned.

      • General reference · Restricted access · Coordinate precision: site · Not an exact scene or camera position; not a visitor route. A roadside motel building on Foothill Boulevard. Look from the pavement; Film Oblivion found the area run down and advises care.

      • General reference · Restricted access · Coordinate precision: site · Not an exact scene or camera position; not a visitor route. A residential mobile-home park where people live. See the entrance from Foothill Boulevard and stay outside.

      • General reference · Public access · Coordinate precision: site · Not an exact scene or camera position; not a visitor route. A shopfront building on Foothill Boulevard, seen from the pavement.

      1. A linen postcard of a two-storey furniture shop with big windows on Foothill Boulevard
        Foothill Boulevard in Tujunga on a linen postcard, c. 1930–45: number 7220, on the same block as the motel at 7254. Tichnor Brothers, publisher (Boston Public Library, Tichnor Brothers collection) · Public domain

        7254 Foothill Boulevard at Hillhaven Avenue, Tujunga

        The Travel Inn, Tujunga

        The Travel Inn plays the Discount Inn, the motel where Leonard holes up. There is no real Discount Inn.

        A roadside motel building on Foothill Boulevard. Look from the pavement; Film Oblivion found the area run down and advises care.

        Where we read it
      2. A wide suburban road with low walls and the San Gabriel Mountains behind
        A boulevard in Sunland-Tujunga under the San Gabriel Mountains, June 2014: the neighbourhood, not the trailer estate itself. Ken Lund · CC BY-SA 2.0

        8100 Foothill Boulevard, Sunland

        Monte Vista Mobile Estates

        Leonard plays cat and mouse with Dodd among the motor homes here.

        A residential mobile-home park where people live. See the entrance from Foothill Boulevard and stay outside.

        Where we read it
      3. A straight road between low houses and palms, mountains at the end
        Sunland-Tujunga in June 2014, a short way from Foothill Boulevard: the neighbourhood, not the building itself. Ken Lund · CC BY-SA 2.0

        8119 Foothill Boulevard at Mather Avenue, Sunland

        The Edward I. Zwern Building

        Once Hatti-Kay Coiffures, it became Emma’s Tattoo for the film.

        A shopfront building on Foothill Boulevard, seen from the pavement.

        Where we read it

      Stay

      In Burbank.

      A hotel near the studios, a short drive from the Blue Room and Foothill Boulevard.

      Hotel Amarano

      Hotel Amarano Burbank-Hollywood

      322 North Pass Avenue, Burbank

      A AAA Four Diamond hotel round the corner from Warner Bros. Studios, with a pool, the FYC Bar + Kitchen and valet parking in an underground garage ($50 a night). A short drive to the Blue Room and up to Foothill Boulevard. The photograph is San Fernando Road nearby, not the hotel.

      See the hotel

      Go there

      Burbank and Hollywood.

      Marketplace film-location and studio tours; none is built round this film.

      Viator · Ad / affiliate

      Los Angeles film-location tours

      Los Angeles

      Live marketplace results for film-location tours of Los Angeles. None is built round Memento; check each itinerary for Burbank and Hollywood Boulevard.

      Live marketplace results · itineraries change

      Compare tours
      Viator · Ad / affiliate

      Burbank studio tours

      Burbank

      Live marketplace results for studio tours in Burbank, the town where Ferdy’s Bar and Natalie’s house were filmed.

      Live marketplace results · itineraries change

      Compare tours

      What’s on

      The Oscars, back at the same theatre.

      The 99th Academy Awards in March 2027.

      Checking current event dates…

      Take it home

      The script and the making of it.

      The screenplay with Following, and James Mottram’s book on the film.

      Bookshop.org UK · Ad / affiliate

      Memento & Following

      Christopher Nolan · Faber and Faber

      The screenplay of Memento with Nolan’s first feature, Following, published by Faber and Faber in 2001.

      Find the book
      Bookshop.org UK · Ad / affiliate

      The Making of Memento

      James Mottram · Faber and Faber

      James Mottram’s book on how the film was made, published by Faber and Faber in 2002.

      Find the book

      Dates, prices, rooms and stock change: confirm with the provider before you travel or buy. A stay or tour is described as a filming location only where the card says so.

      Notes to self

      Every place and moment behind this page, with sources.

      13 of 13 places · 14 of 14 Moments

      • The Travel Inn, Tujunga

        7254 Foothill Boulevard at Hillhaven Avenue, Tujunga

        • The Discount Inn

          The repainted Travel Inn plays the Discount Inn, Leonard’s motel, inside and out.

        • Two rooms

          The clerk has Leonard paying for Room 21 and Room 304; one has two beds, the other one.

      • Monte Vista Mobile Estates

        8100 Foothill Boulevard, Sunland

        • Among the motor homes

          Leonard plays cat and mouse with Dodd around the motor homes.

      • The Edward I. Zwern Building

        8119 Foothill Boulevard at Mather Avenue, Sunland

        • Fact No. 6

          A former hair salon becomes Emma’s Tattoo, where Fact No. 6 is inked.

      • The Blue Room

        916 South San Fernando Boulevard at Alameda Avenue, Burbank

        • Ferdy’s Bar

          Natalie serves Leonard a beer she has spat in, to test his memory.

      • Natalie’s house

        East Magnolia Boulevard, Burbank

        • Natalie’s house

          Natalie talks Leonard into believing Dodd has hurt her.

      • The Hill Crest Inn, North Hills

        9111 Sepulveda Boulevard, North Hills

        • The Mountcrest Inn

          Leonard catches up with Dodd at the Mountcrest Inn.

      • Highland Avenue, Altadena

        Highland Avenue, Altadena

        • Sammy Jankis’s house

          Two neighbouring houses play Sammy’s home and Leonard’s old home.

      • The Fletcher Oil refinery site, Carson

        South Main Street, Carson

        • First and last scenes

          The refinery replaces a warehouse blocked by parked train carriages and gives the film its first and last scenes.

      • The Dolby Theatre (the Kodak Theatre)

        6801 Hollywood Boulevard, Hollywood

        • Oscar night

          Two nominations, screenplay and editing, at the theatre’s first Oscars.

      • Santa Monica State Beach

        Beside the ocean, Santa Monica

        • Four Spirit Awards

          Best Feature, Director, Screenplay and Supporting Female in Santa Monica.

      • Palazzo del Cinema, Lido di Venezia

        Lungomare Guglielmo Marconi, Lido, Venice, Italy

        • The premiere

          First shown at Venice on 5 September 2000, to a standing ovation.

      • Main Street and the Egyptian Theatre, Park City

        328 Main Street, Park City, Utah

        • Sundance

          The Waldo Salt Screenwriting Award at Sundance, January 2001.

      • Healy Hall, Georgetown University

        Georgetown University, Washington, DC

        • John G.

          The killer’s name nods to Jonathan Nolan’s Georgetown screenwriting professor.

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